Born: Buenos Aires, Argentina, 1961.
Lives and works in New York, Berlin and Chiang Mai.
STUDIES
The Whitney Independent Studies Program, New York
The School of the Art Institute of Chicago
The Banff Center School of Fine Arts, Banff, Canada
The Ontario College of Art, Toronto, Canada
SOLO SHOWS
2009 Rirkrit Tiravanija: Reflection. Nyehaus, New York, USA.
2008
Palm Pavilion, kurimanzutto, Mexico City
Foster, You’re Dead, Galleria Emi Fontana, Milan,
Italy, with Neil Logan
2007 An Untitled Concert, untitled 2007 (orchestral
score for Luis Buñuel), Theater Basel, Basel
Untitled 1992 (Free), David Zwirner Gallery, New York, with
Gordon Matta-Clark
Stories Are Propaganda, Friedrich Petzel Gallery, New York,
with Philippe Parreno
Brychcy Bar, Ontario College of Art and Design, Ontario, Canada
Multiples, Helga Maria Klosterfelde, Berlin
Rirkrit Tiravanija, OCAD, Toronto, CA
2006 Brychy Bar, Gavin Brown’s enterprise, New York
Demonstration Drawings, 1301PE, Los Angeles, US
Philippe Parreno & Rirkrit Tiravanija, Friedrich
Petzel Gallery, New York, US
Galerie Chantal Crousel, Paris
2005 Untitled 2005 (magazine station no. 4), Neugerriemschneider,
Berlin
Retrospective, Serpentine Gallery, London (cat.)
Retrospective, ARC, Musee d’Art Moderne de la Ville de Paris,
Paris (cat.)
Hugo Boss 2004, Guggenheim Museum, New York
2004 Retrospective, Museum Bojmans Van Beuningen, Rotterdam,
Netherlands (cat.)
Gordon Matta-Clark-In the Belly of Anachitect (with Pierre
Huyghe & Pamela M. Lee), Portikus, Frankfurt am Main, Germany
(brochure)
Nothing, CMU Art Museum, Chiang Mai, Thailand
Social Pudding, Rirkrit Tiravanija and Superflex, 1301PE, Los
Angeles, CA
2003 Demo Station No. 4, Ikon Gallery, Birmingham, UK
In the Future Everything Will Be Chrome, Gavin Brown’s
enterprise, New York, NY
Social Pudding, Galerie fur Zeitgenossische Kunst, Leipzig,
Germany
2002 Untitled 2002 (He Promised), Secession, Vienna, Austria (cat.)
Untitled, (Demo Station no. 3), Sumida River
Project, Asahi Beer Co, Tokyo, JAP
Untitled 2002 (The Raw & The Cooked), City Opera Gallery,
Tokyo, Japan
Demonstration, Sumida River Project, Asahi Beer, Tokyo
oVer station no 2, Astrup Fearnley Museum of Modern Art, Oslo
2001 The Land, Galerie Chantal Crousel, Paris, France
Rirkrit Tiravanija – Over Magazine, Oslo Kunsthall, Oslo,
Norway
GAM, Turin Italy
Untitled 2001 (the two sons of Monchengladbach), Stadtisches
Museum Abteiberg, Monchengladbach, Germany
Untitled 2001 (No Fire No Ashes), Neugerriemschneider, Berlin,
Germany
Untitled 2001 (Demo Station No. 3), Portikus, Frankfurt,
Germany
Kunstverein, Wolfsburg, Germany
2000 Passage Cosmo, Project Gallery, CCA Kitakyushu
Untitled 2000 (oVer Station No.2), Galleria Emi Fontana, Milan,
Italy
Untitled 2000 (oVer Station No.1), Gallery Side 2, Tokyo, Japan
Untitled 2000 (demonstrate), Galeria Salvador Diaz, Madrid,
Spain
1999 Untitled 1999 (Community Cinema for a Quiet Intersection
(After Oldenburg)), The Modern Institute,Glasgow, UK
1998 Dom-Ino (Une Demonstration D’automne), Galerie
Chantal Crousel, Paris, France.
Galerie Micheline Szwajcer, Antwerp, Belgium.
Untitled, 1998 (Das Soziale Kapital), Migros Museum Museum
fur Gegenwartskunst, Zurich, Switzerland.
Untitled, 1998 (On The Road With Jiew, Jeaw, Jieb, Sri And Moo)
Philadelphia Museum of Art, Philadelphia, PA.
1997 Untitled, 1997 (Playtime) Projects 58, MoMA, New
York, USA.
Williams College Museum of Art, Williamstown, MA.
Untitled, 1997 (A Demonstration By Faust As A Sausage And
Franz Biberkopf As A Potato), neugerriemschneider, Berlin,
Germany.
Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg (cat.)
Untitled, 1997 (Schupfnudeln), Jan Winkelmann, Munich,
Germany.
Helga Maria Klosterfelde, Hamburg, Germany.
1996 Untitled 1996, (Loup, Es-Tu-La?), Galleria Emi Fontana, Milano,
Italy.
Untitled 1996, (Traffic), Navin Gallery Bangkok,
Thailand.
1995 Untitled 1996 (Rehearsal Studio No. 6), Kunsthalle
St. Gallen, Switzerland.
Untitled, 1996, (Tomorow's Another Day), Kolnischer
Kunstverien, Koln, Germany . (cat.)
Untitled, 1996 (One Revolution Per Minute), Le Consortium,
Centre d'Art Contemporain, Dijon, France.
Douglas Gordon/Rirkrit Tiravanija, FRAC Languedoc-Rousillion,
Montpellier, France.
The Pool Room, Kunstverein in Hamburg, Hamburg, Germany
In / Out, (a collaborative project with U of I and The Resource
Center, Gallery 400 U of I, Circle Campus, Chicago, IL.
Untitled,1996 (Rehearsal Studio No. 6), Spiral Garden, Tokyo,
Japan.
Stitching Deappel, with Renee Green, Amsterdam, NL (Cat.)
Stormer, Hamburg; Helga Maria Klosterfelde Editionen, Hamburg,
Germany.
Untitled, 1994 (From Baragas...To Reina Sofia), Kunsthalle
Basel, Switzerland.
Untitled, 1995 (Still), 303 Gallery, New York, USA.
Untitled, 1995 (Tent), Architektenbüro Alsop &
Störmer, Hamburg; Helga Maria Klosterfelde
Editionen, Hamburg, Germany.
1994 Andy Warhol Rirkrit Tiravanija, Gavin Brown's
enterprise, New York, USA.
Untitled, 1994, (Meet Tim & Burkhard), neugerriemschneider,
Berlin, Germany.
Untitled 1993, (Rucksack), Architektenbüro Alsop & Störmer,
Hamburg, Germany.
Helga Maria Klosterfelde Editionen, Hamburg, Germany
Untitled, 1994, (Angst Essen Seele A Uf), Friesenwall 116,
Cologne, Germany.
Untitled, 1994, (Beauty), Jack Hanley Gallery, San
Francisco, CA.
1993 Untitled, 1993, (Live And Eat, Eat And Die),
Randolph Street Gallery, Chicago, IL.
1992 Untitled, 1992, (Free), 303 Gallery, New York, USA.
1991 Untitled, 1990, (Blind), Randy Alexander Gallery,
New York.
1990 Pad Thai, Project Room, Paula Allen Gallery, New
York
SELECTED GROUP SHOWS
2009 Moral Imagination Current positions in Contemporary Art in
the FACE of Global Warming. Museum Morsbroich, Germany.
The House the Cat Built. Galería Salvador Diaz, Spain.
Desenhos (drawings): A-Z. Museu da Cidade, Portugal.
2008 Exhibition inaugural new space. kurimanzutto, Mexico City
An Unruly History of the readymade. Colección Jumex, Mexico.
The Puppet Show, Santa Monica Museum of Art, CA
Pivot Points: Defining MOCA’s Collection, MOCA Miami, Florida
Art and Capital: Spiritual Odyssey, Gallery Loop, Korea
Servitude & Simulacre, Ce Soir, curated by Jordi Vidal, Paris,
France
2007 Art Beijing, Tang Gallery, Beijing, China
Show Me Thai, Museum of Contemporary Art, Tokyo, Japan
Sharjah Biennial, Sharjah
Tomorrow Artsonje Center, Seoul, Korea
Anyang Public Art Project, Anyang, Korea
Copenhagen Bar Project Karrier contemporary art &social life,
Denmark
The Place and The Plate The Jim Thompson Art Center, Bangkok,
Thailand
The Lath Picture Show Petzel Gallery, New York
Sympathy for the Devil: Art and Rock and Roll Since 1967, MCA
Chicago, IL
Just use it Nordjyllands Kunst museum, Aalborg, Denmark
Scotiabank Nuit Blanche Ontario College of Art and Design,
Ontario, Canada
Art Public Contemporain, Luxembourg
Lucelia Artist Award 2001 – 2006 Smithsonian American Art
Museum, Washington DC
Lyon Biennale, Lyon, France
Words Fail Me, Museum of Contemporary Art, Detroit, curated by
Matthew Higgs
ShContemporary, Shanghai, China
Il Tempo del Postino, Manchester International Festival,
Manchester, UK
The Freak Show, Musée d’Art Contemporain de Lyon, France
Get Lost: Artists Map Downtown New York, New Museum Project,
New York
New Economy, Artists Space, New York
Someone Else With My Fingerprints, Galerie Chantal Crousel,
Paris, France
Generation 1.5, Queens Museum of Art, New York
The Shapes of Space, Guggenheim Museum, New York
La planta. Arte Contemporáneo Omnilife, Guadalajara, Mexico
City.
Generation 1.5. Queens Museum of Art, New York, USA.
Rirkrit Tiravanija & Gordon Matta Clark, David Zwirner Gallery,
New York, NY
2006 25 x 25, Cereal Art Gallery, Philadelphia, PA
Open Ended (the art of engagement), Walker Art Center,
Minneapolis, MN
All Hawaii Entrées / Lunar Reggae, Irish Museum of Modern
Art
The Exotic Journey Ends, Foksal Gallery Foundation, Warsaw;
kurimanzutto, Mexico City
Emergency Biennale in Chechnya, atklasanas forums, Riga,
Lettland
Sao Paulo Biennial, Sao Paulo, Brazil
Surprise, Surprise, Institute of Contemporary Art, London
Sculptures in the Park, Villa Manin Centro d’Arte
Contemporanea, Codroipo, Udine, Italy
Yes Bruce Nauman,”Zwirner & Wirth, New York
Satellite of Love, Witte de With, Rotterdam, NL
Anstoss Berlin: Kunst macht Welt, Haus am Waldsee, Berlin,
Germany
Not All Is Visible..., Astrup Fearnley Museum, Oslo, Norway
Into Me/ Out of Me, PS1 Contemporary Art Center, New York
The Large Piece of Turf – Contemporary Art in the Public
Domain, curated by Raimer Stange and Florian Waldvogel for the
City of Nuremberg and the German Football Assoc.
Again for Tomorrow, Royal College of Art Galleries, London
Infinite Painting, Villa Manin Centre for Contemporary Art,
Codroipo. Italy
Whitney Biennial, Whitney Museum of American Art, New York
2005 Thank You For the Music, Sprüth Magers Projekte, Munich,
Germany
Looking at Words, Andrea Rosen Gallery, New York
36 x 27 x 10, White Cube Berlin im ehemaligen Palast der
Republik, Berlin
FUSION. Aspects of Asian Culture in the MUSAC Collection,
MUSAC, Leon, SP
Early Work, White Columns, New York
Lichtkunst aus Kunstlicht, ZKM, Museum für Neue Kunst,
Karlsruhe, D
Fantasia, The Second Guangzhou Triennial, Guangdong Museum
of Art, Er-sha Island, Guangzhou, China
Nach Rokytnik. The EVN Collection, MUMOK Museum Moderner
Kunst Stiftung Ludwig Wien, Wien, A
In the Middle of the Night. Die Neuerwerbungen seit 1996,
Kunsthalle Bielefeld, D
Räume und Schatten, Haus der Kulturen der Welt, Berlin
Post No Bills, White Columns, New York
Universal experience. art, life and the tourist’s eye, Hayward
Gallery, London
Nur hier? (3), Hochschule für Grafik und Buchkunst, Leipzig, D
Drive. Cars in Contemporary Art, Galleria D’Arte Moderna,
Bologna, I
La Biennale de Lyon, Lyon, France (cat.)
Luna Park. Arte Fantastica, Villa Manin, Codroipo,
Italy (cat.)
Universal Experience, MCA, Chicago (cat.)
2004 Small: The Object in Film, Video and Slide Installation.
Whitney Museum of American Art, New York, NY
70/90 Engagierte Kunst, neues museum, Staatliches Museum
für Kunst und Design in Nürnberg, Nürnberg
The Encounters in the 21st Century: Polyphony - Emerging
Resonances, 21st Century Museum of Modern Art, Kanazawa, JAP
Klütterkammer, ICA, London, GB
International 04, Liverpool Biennial, Liverpool, GB
e-flux video rental, e-flux, New York, US
Dakar Biennial 2004, Dakar, SN
Qualsiasi (TV), base, Florenz, I
Artists’ Favourites, ICA Galleries, London, GB
2003 Elephant Juice (Sexo entre amigos), kurimanzutto @ Los
Manantiales, Xochimilco, Mexico.
Perfect Timeless Repetition, c/o Atle Gerhardsen,
Berlin.
2002 void, Rice Gallery G2, Tokyo, JAP.
Comfort Zone, Fabric Work Shop, Philadelphia, PA.
2001 4Free, Buro Friedrich, Berlin, Germany.
Fig-1, 50 projects in 50 weeks, conceived and developed by
Mark Francis and Jay Jopling, London (cat.)
Yokohama Triennale, Yokohama, Japan.
orientale 1 ; ACC Galerie Weimar, D.
Kleine Paradiese, Gutspark Bockel, Ostwestfalen, Lippe,
Germany.
GAM, Turin, Italy.
Heimaten, Galerie fur Zeitgenossische Kunst, Leipzig, Germany.
Cushy job, Swiss Institute-Contemporary Art, New York, USA.
Public Offerings, MOCA, Los Angeles, CA, curated by Paul
Schimmel (cat.)
Beautiful Productions Parkett, Whitechapel Art Gallery,
London.
Il Dono, offerta ospitalita insidia, Palazzo Delle Papesse,
Centro Arte Contempoanea, Sienna, Italy.
Plug in--- Einheit and Mobilitat, Westfalisches Landesmuseum,
Munster, Germany.
Germania, Palazzo delle Papesse, Centro Arte Contemporanea,
Sienna, Italy.
The Beauty of Intimacy, Gemeentemuseum, Den Haag,
Netherlands/Staatliche Kunsthalle, Baden-Baden, Germany.
Egofugal, 7th International Istanbul Biennial, Istanbul, Turkey
(cat.)
2000 Finale di Partita, Chiostro di Ognissanti, Firenze,
Italy.
More Works about Buildings and Food, Fundiçao de Oeiras,
Hangar K7, Oeiras, Portugal.
“Editions and Multiples 1990-2000”, Helga Maria Klosterfelde,
Hamburg, Germany.
AutoWerke, Deichhtorhallen Hamburg, Hamburg, Germany.
Vicinato 2, Friedrich Petzel, New York.
Taxa, Navin Gallery Bankok, and Onepercent Copenhagen,
Copenhagen.
Re_public, Grazer Kunstverein, Graz, Austria.
Loneliness in the City, Migros Museum, Zurich, Switzerland
(with Franz Ackermann).
1301 PE, Los Angeles, USA.
M Art in (n), M Art in (n) c/o Martin Schibli, Helsingborg,
Sweden.
LKW, Lebenskunstwerke, Kunst in der Stadt 4, Kunsthaus
Bregenz, Austria (cat.)
Ein/raümen-Arbeiten im Museum, Hamburger Kunsthalle,
Hamburg, Germany.
Berühmte Künstler Helfen Koch und Kesslau, Koch und
Kesslau, Berlin, Germany.
M(odel)4∞, BüroFriedrich, Berlin, Germany.
Das Unheimliche Heim, Kunstverein, Wolfsburg, Germany.
Continental Shift, Ludwig Forum Aachen, Germany;
Artworkers, curated by Melissa Feldman, Oriel Mostyn Gallery,
Llandudno, Wales.
1999 Project Row Houses: Street Life (Round 11), curated
by Jerôme Sans, Houston, TX
Embedded Metaphor, curated by Nina Felshin, organized by ICI,
New York, traveling exhibition (1996-99)
Une histoire parmi d' autres, FRAC Nord-Pas de Calais,
Dunkerque, France (cat.)
Peace, <migros museum>, Museum fur Gegenwartskunst, Zurich,
Switzerland (cat.)
Moving Images-Film Reflexion in der kunst, Galerie fur
Zeitgenossische Kunst Leipzig, Germany (cat.)
Locally Interested, ICA, Nationl Gallery for Foreign Art, Sofia,
Bulgaria
dAPERTutto, 48. Esposizione Internazionale d’Arte, La Biennale
di Venezia, Venedig, I (Kat.)
Go away: artists and travel, Royal College of Art, London, UK
(cat.)
A Piece of Furniture..., Galerie Anselm Dreher, Berlin, Germany
1st Fukuoka Triennale, Fukuoka Asian Art Musem, Fukuoka,
Japan
Talk.Show. Die Kunst der Kommunikation in den 90er Jahen, Von
der Heydt-Museum Wuppertal, Wuppertal, Germany (cat.)
Photography Salon, Elizabeth Cherry Contemporary Art, Tucson,
AZ
FROM/TO, Internatinal Film festival Rotterdam/Witte de With,
Rotterdam,NL
Cities on the move, Artspace 1%. Louisiana Museum of Madern
Art, Copenhagen, Denmark
Konstruktionszeichnungen, Kunst- Werke, Berlin, Germany
Places to stay #5 M(usic), Buro Friedrich, Berlin, Germany
Kunst-Welten im Dialog, Museum Ludwig Koln, D (Kat.)
Blown Away, 6th International Caribbean Biennal, St.
Kitts, Caribbean Islands
1998 Leisure and Travel, Paula Cooper Gallery, New York, NY
Crossings, National Gallery of Canada, Ottawa, Ontario
Not Today, Gavin Brown's enterprise, New York, NY
Wounds: between democracy and redemption in contemporary
art, Moderna Museet, Stockholm, Sweden
Dad's Art, neugerriemschnungen, kunst-Werke, Berlin, Germany
"__, 1994untitled, 1994 (meettim&burkhard)brancsi,
1997 ", Grazer Kunstverein, Austria
Le proces de pol pot, Magasin Centre National d'Art
Contemporain de Grenoble, Grenoble, France
Sidney Biennale, Sidney, Australia (cat.)
Cities on the Move, Wiener Secession, Wien, A.
1997 Berlin Biennale, Berlin, Germany (cat.)
Mostrato. Fuori Uso '98, Mercati Ortofrutticoli, Pescari, I (cat.)
National Gallery of Canada, Ottawa, Ontario, Canada
Inside..Outside, Stadtisches Museum Leverkusen. SchloB
Morsbroich, Germany
ONTOMtm, Galerie fur Zeitgenossische Kunst, Leipzig, Germany
(cat,)
Kunstlerlnnen, 40 positionen zeitgenossischer internationaler
Kunst in Videoportaits, museurm in progress in Zusammenarbeit
mit dern Kundthaus Bregenz/ Kunstlerhaus Bethanien, Berlin,
Germany
Kunst und papier auf dem Laufsteg, Deutsche Guggenheirm
Berlin, Germany
Deserted & Embraced, Goethe-Institue Bankok, thailand (cat.)
1997 Cities on the Move, CAPC Bordeaux, France (cat.)
enterprise, ICA, The Institute of Comtemporary Art, Boston, MA
Kunst...Arbeit, Sudwest LB, Stuttgart, Germany (cat.)
Deserted & Embraced, Chiang Mai, Thailland (cat.)
Helga Maria Klosterfelde, Hamburg, Germany
Truce: Echoes of Art in an Age of Endless Conclusions, Site
Santa Fe, NM
Medium of Exchange, Congress Centrum Hamburg, Confinea
1997, Hamburg, Germany
Letter and Event, Apex Art C.P. New York, NY
Performance Anxiety, MCA Chicago, IL, MCA San Diego, CA, USA
Skulptur.projekte, Munster 97, Munster, Germany
A Summer Group Show, Neugerriemschneider, Berlin, Germany
Wandstucke IV, Gallerie Bob Van Orsouw, Zurich, CH
Thinking Print, Museum of Modern Art, New York
Campo 6, the Spiral Village, Bonnefantenmuseum, Maastricht, NL
Fiat, Stuttgart/Umbauraum, Germany
Supastore De Luxe, Up & Co, New York, NY
1996 a/drift, curated by Joshua Decter, Center for
Curatorial Studies, Bard College, Annandale-on
Hudson, NY, USA
Campo 6, Fondazione Sandretto Rebaudengo per L'Arte, Galleria
Civica d'Arte Moderna di Torino, Turin, Italy
almost invisible/fast nichts, Umspannwerk Singen,
Singen/Hohnentwiel, curated by Jan Winkelmann, Alle
Neue, ACC Galerie, Weimar, Germany
Manifesta 1, Rotterdam, Holland
Oporto Festival, Oporto, Portugal
Gary Hume, Udomsak Krisanamis, Rirkrit Tiravanija, Gavin
Brown's enterprise, New York, NY
Vicinato, Air de Paris, Paris, France
Vicinato, Schipper & Krome, Koln, Germany
In/Out, (a collaborative project with U of I and the Resource
Center), Gallery 400, U of I, Circle Campus, Chicago, IL
Kunst in der neuen Messe Leipzig, Leipzig, Germany
TRAFFIC, CAPC Musee d'Art Contemporain, Bordeaux, France
Thinking Print, Henry Art Gallery, Seattle,WA
Campo 6, The spiral Village, Bonnefantenmuseum, Maastricht,
Holland
Fiat, Stuttgart/Umbauraum, Stuttgart, Germany
Supastore De Luxe, Up & Co, New York, NY
Annandale-on-Hudson, NY
Thinking Print, MoMA, New York, NY
Kofferkunst, Lagerraum, Frankfurt am Main, Germany
Modema di Torino, Turin, Italy (cat.)
almost invisable / fast nichts, Umspannwerk Singen, Curated
by Jan Winkelmann, Singen/Hohentwiel, Germany
Alle Neune, ACC Galerie, Weimar, Germany
1995 Biennale D'Art Contemporain De Lyon, Lyon, France (cat.)
The Carnegie International, The Carnegie Museum of Art,
Pittsburgh, PA (cat.)
Carsten Holler, Philippe Parreno, Rirkrit Tiravanija, Studio
Guenzani, Milano, Italy
Kwangju Biennale, Kwangju, Republic of Korea (cat.)
Das Ende der Avantgarde - Kunst als Dienstleistung,
Sammlung Schürmann, Kunsthalle der Hypo - Kulturstiftung,
Munich, Germany
The Moral Maze, Le Consorsium, Dijon, France (cat.)
Configura II: Dialog der Kulturen , Erfurt, Germany (cat.)
Nutopi, Rooseum, Malmö, Denmark (cat.)
Shift, De Appel, Amsterdam, Holland (cat.)
House in Time, Moderna Galerija Ljublijana, Slovenia, (cat.)
The Whitney Biennial, Whitney Museum, NY (cat.)
Economies, Walker Art Center, Minneapolis, MN (with Hans
Accola)
Africus, Johannesburg Biennale, Johannesburg, South Africa
Carsten Holler, Phillppe Parreno, Rirkrit Tiravanija, Studio
Guenzani, Milan, Italy
Rewind, City Racing, London, UK (Curated by Eric Troncy)
Moral Maze, Le Consortium, Centre d’Art Contemporain, Dijon, F.
Kunsthalle der Hypo-Kulturstiftung, Munchen, Germany (cat.)
1994 Cocido y Crudo, (curated by D. Cameron) Reina
Sofia, Madrid, Spain (cat.)
Der Stand der Dinge, Kölnischer Kunstverein, Köln, Germany
(cat.)
Lost Paradise, kuratiert von Barbara Steiner, Kunstraum, Wien,
Austria (cat.)
Esprit d ‘Amusement, Kunstverein Graz, Austria
new reality mix, Högbergsgatan 18, Stockholm, Sweden
Multiple, Deichtorhallen Hamburg, Germany (cat.)
Out Side the Frame, Contemporary Art Center,
Cleveland, OH (cat.)
SPNY, Galerie Camargo Vilaca, Sao Paulo BRA.(cat.)
Drawing on Sculpture, Cohen Gallery, New York, NY
Residence Secondaire, Paris, France
Untitled Group Show, organized by Friedrich Petzel, Metro
Pictures, New York, NY
Surface de Reparations, organized by Eric Troncy, Le
Consortium, Centre d'Art Contemporain, Dijon, France (cat.)
Camping, Galerie Jennifer Flay, Paris, France
Don't Look Now, organized by Joshua Decter, Threadwaxing
Space, New York, NY (cat.)
art after collecting, kuratiert von Rainer Ganahl,
Philomene Magers, Koln, D.
L'Hiver de l'Amour, Musée d'Art Moderne de la Ville de Paris,
Paris, France; and P.S.1, Long Island City, New York (cat.)
1993 Viennese Stories, curated by Jerome Sans, Wiener
Secession, Wien, Austria (cat.)
Real, Real, Wiener Secession, Wien, Austria (cat.)
Holly Solomon Gallery, New York, NY
Backstage, Hamburger Kunstverein, Hamburg; and Kunstmuseum,
Luzern, Switzerland, (1994) (cat.)
Migrateurs, Musée d'Art Moderne de la Ville de Paris, Paris,
France (cat.), curated by Hans-Ulrich Obrist
Real Time, curated by Gavin Brown, Institute of Contemporary
Art, London, UK, (cat)
Jorge Pardo, Sarah Seager, Rirkrit Tiravanija, Lincoln Tobier,
1301, Santa Monica, CA
Künstlerhaus Bethanien, organized by Tim Neuger, Berlin,
Germany
Spielhölle, organized by Kaspar König and Robert Fleck, Grazer
Kunstverein, Graz, Austria; and Galerie Sylvana
Lorenz, Paris, France (cat.)
Aperto, Biennale Venedig, Venice, Italy, (curator: M. Slotover)
(cat.)
Sleepless Nights, curated by Zdenka Gabalova, PS1 Museum,
Queens, NY
Galerie Max Hetzler, organized by Tim Neuger, Köln, Germany
Simply Made in America, Aldrich Museum of Contemporary Art,
CT (cat.)
Fever, Exit Art, New York, NY
Kunstmuseum, Luzern, Switzerland
1993 Sleepless Nights, curated by Zdenka Gabalova, PS1
Museum, Queens, New York
1992 Transgressions in the White Cube: Territorial
Mapping, organized by Joshua Decter, Usdan Gallery,
Bennington College, Bennington, VT (cat.)
Writings on the Wall, 303 Gallery, New York, NY
Home Improvements, 209 W 97th St, Apt. 7B, New York, NY,
curated by Gavin Brown Consumed, Goethe Haus, New York, NY
Insignificant, 10 E 39th St., Suite 525, New
York, NY, curated by Gavin Brown
1991 One Leading to Another, 303 Gallery, New York, NY
The Big Nothing or Le Presque Rien, The New Museum of
Contemporary Art, New York, NY (cat.)
Brooklyn, Jack Tilton Gallery, New York, NY
Wealth of Nations, Center for Contemporary Arts, Ujazdowski
Castle, Warsaw, Poland
Dis Mantling Invisibility: Asian & Pacific Islander Artists
Response to the AIDS Crisis, Art in General, New York, NY
Shooters Hill, AC Project Room, New York, NY
Arriving, Leonor Datil Perez Gallery, New York, NY
Home?, Home for Contemporary Theater & Art, New York, NY
True to Life, curated by Gavin Brown, 303 Gallery, New York, NY
Fluxattitude, Hallwalls, Buffalo, NY; and The New Museum for
Contemporary Art, New York, NY, (1992) (cat.)
Marginal Majority, (Artists Against Racial Prejudice), Arron
Davis Hall, New York, NY (cat.)
The New Museum for Contemporary Art, New York, USA
1990 Post-Consumerism, The Storefront for Art &
Architecture, New York, NY
Work on Paper, Paula Allen Gallery, New York, NY
4th Annual Invitational, Cold City Gallery, Toronto, Canada
1989 Caught in a Revolving Door, The Alumni Association
of the School of the Art Institute of Chicago,
Chicago, IL (cat.)
Outside the Clock: Beyond Good & Elvis, Scott Hanson Gallery,
New York, NY
Lotto as Metaphor, Hallwalls, Buffalo, New York, NY (cat.)
FILM WORKS
2001 Vicinato 2, with Philippe Parreno, Douglas Gordon, Liam Gillick,
Carsten Holler, Pierre Huyghe, Friedrich Petzel Gallery, New
York; neugerriemschneider, Berlin, Germany
1991 Video Event, Tom Cugliani Gallery, New York, NY
1985 New Film Maker, The Collective for Living Cinema,
New York, NY
Super super 8, The Museum of Moving Image, LIC , New York, NY
Super 8 NY, San Francisco Cinemateque, San Francisco, CA
PROJECTS
1990 The Arrival, Message to the Public, Spectracolor Board at Times
Square, New York, NY
BIBLIOGRAPHY
2008
Noe, Paola, Critics’ Picks, Artforum.com, May 2008
Browne, Alix, “Asian Fusion,” T Magazine, March 2008
Sherwin, Skye, “Encounters of the Third Kind,” ArtReview,
March 2008, p. 40
Coulson, Amanda, “Consulting the Atlas,” Art on Paper,
Jan/Feb. 2008, p. 33-34
2007
Drobnick, Jim, “Sometimes It’s Good to Put Up a Couple of
Walls,” OCAD Sketch, Spring 2007, p. 8-11
Saltz, Jerry, “Conspicuous Consumption,” New York Magazine,
May 14, 2007 p. 88
“Gordon Matta-Clark and Rirkrit Tiravanija,” New Yorker, May 7, 2007 p. 14
Kerr, Merrily, “Matta-Clark/Tiravanija,” Time Out New York,
April 26 – May 2, 2007, p 106
Smith, Roberta, “Space Redefined in Chelsea,” The New York Times, April 13,
2007
Orden, Abraham, “The Minute,” Artnet.com, April 6, 2007
Lee, Carol, “Rirkrit Tiravanija and Gordon Matta-Clark United
– And it Tastes So Good!” Papermag.com, March 23, 3007
Neil, Jonathan T.D., “Tales From the City: New York,”
Artreview, March, p. 48
Lütticken, Sven “Black Bloc, White Penguin: Reconsidering
Representation Critique,” Artforum, March, pp.298-303, 331
Tiravanija, Rirkrit, “Influence Today and Tomorrow,” Art Asia Pacific, Almanac
2007, p. 225
2006
Moulène, Claire, “Imaginaire: Mode d’Emploi, ‘Art contemporain
et lien social’” published by Editions Cercle d’Art, Paris
Andrews, Max, editor, “Land Art: A Cultural Ecology Handbook,”
published by RSA, London
Mertens, Brian, “Rirkrit Tiravanija Launches New Bangkok Venture,” Art Asia
Pacific, Winter 2007, p. 55
“Spirituality,” Art Asia Pacific, Winter 2007, pp. 82-91
Thomas, Rachel; Philippe Pareno, et. Al “All Hawaii Entrées / Lunar Reggae,”
published by Irish Museum of Modern Art, Dublin and Charta, Milan
“All the Best: The Deutsche Bank Collection and Zaha Hadid,”
published by Deutsche Bank, Frankfurt, a.M.
Goncharov, Kathleen, “Review: Whitney Biennial,” Tema Celeste, No. 116, pp.
86-87 (illus.)
Blind Date, Published by Deutsche Bank, Frankfurt, 2006
Mooney, Christopher, Review, Modern Painters, April, p. 117
Hoptman, Laura, “Give Peace Another Chance,” ArtReview, March, pp.28-29
“The Artists Talk: A Cross Section of the Art Life in Berlin,” Flash Art, March-
April, pp. 82-87
Iles, Chrissie and Philippe Vergne, Whitney Biennial: Day For Night, exhibition
catalog, published by The Whitney Museum of American Art
Tiravanija, Rirkrit, “Work in Progress,” V magazine, Spring, 2006 p. 122
Petlin, Irving; Mark di Suvero; Rirkrit Tiravanija, “Peace Tower,” Artforum,
March pp. 252-57
Griffin, Tim, Review: Lyon Biennale, Artforum, Feb. pp. 205, 230
Morton, Tom; Nancy Spector, “Retrospectives,” Frieze, Jan./Feb. pp. 115-16
Griffin, Tim, Chrissie Iles, Philippe Vergne, “Cabaret License,” Artforum, January,
pp. 94-96
2005
Grosenick, Uta, Art Now: Vol. 2, published by Taschen,
Cologne, London, L.A., Paris, Madrid, Tokyo
Birnbaum, Daniel, “Best of 2005,” Artforum December pp.260-61
Iles, Chrissie, “Film, Best of 2005,” Artforum December, p.58
McCormack, Christopher, “Previews,” Contemporary, No. 75, p. 51
Dorment, Richard, “The Exhibition That Says, Make Yourself at Home,”
Darwent, Charles, “Make Yourself Comfy: The Artist Is at Home,” The Independent,
July 17
Cooper, Emmanuel, “Make Yourself at Home...” Tribune, August 5/19
Martin, Francesca, “Checklist,” British Vogue, August p. 53
Lewis, Ben, “Private View,” Prospect, August, p. 55
O’Connell, Alex, “Art Notebook,” The Times, July 28
Januszczak, Waldemar, “Home Is Where the Art Isn’t,” The Sunday Times, July
24, p. 10
Jennings, Rose, “There’s Plenty of Room for Manoeuvre,” The Observer, July
24
Hanks, Robert, “The Week in Radio,” The Independent
Kent, Sarah, “Food for Thought,” Time Out London, July 20
Croft, Catherine, “Plywood Homes from Home,” Building Design, July 15
Review, London Evening Standard, July 15
Searle, Adrian, “Make Yourself at Home,” Guardian, July 12
Güner, Fisun, Review, Metro London, July 6
Leitch, Luke, “Home Is Where the Art Is,” London Evening
Standard, July 5
Dannatt, Adrian, “Interview,” The Art Newspaper, p. 36
Baal, Iphigenia, “Home Base: Rirkrit Tiravanija” Dazed & Confused, July, p.
154
Cripp, Charlotte, “Everyone Back to My Pad,” The Independent, June 29
Buck, Louisa, “Preview,” RA, Summer
Cripps, Charlotte, “Everyone Back to My Pad,” The Independent, June 2
Griffin, Tim (moderated by) “Remote Possibilities: A Roundtable Discussion on
Land Art’s Changing Terrain,” Artforum, Summer 2005 pp.288-295, 366
Joselit, David, “Navigating the New Territory,” Artforum,
Summer 2005, pp.276-79
Birnbaum, Daniel, “The Lay of the Land,” Artforum, Summer
2005, pp.270-74, 346
Bishop, Claire, “Installation Art,” published by Tate
Publishing: London
Laubard, Charlotte, Review Flash Art, May-June, pp.152-53
“An Interview with Rirkrit Tiravanija,” Asian Art Newspaper, April pp. 6-7
Wilcox, T.J., “Personal Affects,” Artforum, April, p. 165
Fox, Dan, “Welcome to the Real World,” Frieze, April, pp. 72-76 + cover
Waltener, Shane, Review, Modern Painters, April, p. 113
Cotter, Holland, “Work Whose Medium Is Indeed Its Message,” The New York
Times, Weekend Arts, Friday March 18th, p. E44
Moisdon, Stéphanie, “Rirkrit Tiravanija: Artiste Relationnel?” Beaux-Arts,
March 2005
Ardenne, Paul, Review, Artpress, March 2005
Bishop, Claire, “But is it –Installation Art?” Tate, Etc., Issue 3, Spring, pp.
26-35
Lutticken, Sven, Review, Artforum, XLIII, No. 6, February, pp. 164-165
Sheets, Hilarie M., “Underrated Overrated (Paul Ha)”, ARTnews. January, p.
108
“News: Prizes”, ARTnews. January, p.54
“News: Prizes and Competitions”, Flash Art, January-February, p. 45
Wecker, Frédéric and Benjamin Thorel, “Quand les usages deviennent forme de
vie,” Art 21, No.1, Jan.-Feb. pp.14-21
2004
Parreno, Philippe; Sterling, Bruce; Tiravanija, Rirkrit; “A
Retrospective (Tomorrow is another fine day)”, published by
Museum Boijmans Van Beuningen: Rotterdam
Bajo, Delia and Carey, Brainard, “In Conversation,” The Brooklyn
Rail, February, pp. 21-22
“Social Capital, Forms of Interaction,” published by Whitney Museum of
American Art Independent Study Program Exhibition, New York
2003
Review, The New Yorker, November 10, p. 27
Bollen, Christopher, “Critics Picks,” Artforum.com, October
Cavallucci, Fabio, Work, Art in Progress, April-June, p. 10
Floriani, Giorgia, Work, Art in Progress, April-June, p. 9
Culpan, Laura Jane, Work, Art in Progress, April-June, p. 22
Tetsuya, Ozaki, Invitation, June, p. 59
Quote, ArtReview, July/August, p. 49
Gopnik, Blake. “Rirkrit Tiravanija Wins Smithsonian’s Lucelia
Artist Award” Washington
Post-Style, Wed April 9
Secession, Vienna, Austria (cat.)
Stange, Raimar, Zuruck in die Kunst, Rogner & Bernhard bei
Zweitasendeins, p. 119
“The 80’s”, Artforum, March, p. 214
2002
Kempkes, Anke, “Art Now,” published by Taschen, Koln
Fallon, Roberta, “Spiritual Comfort,” Artnet.com
Canvas, Art News, May 2002
2001
Dziewior, Yilmaz, “Art Now”, Taschen, Koln
Baldon, Diana, “Ein/raümen in Hamburg”, Tema Celeste,
January-February, p.116
Herbstreuth, Peter: Held der Arbeit; Der Tagesspiegel,
28. July,/Nr. 17480
Chapuis, Yvone; “L’Espace d’action Inconditionnelle”,
Press Release, “Kunstverein Wolfsburg” March 9, 2001
Erickson, Karl; “The Free Spot”, In These Times, 20.
August.
Frangenberg, Frank; Frentzens welke Kranze, Suddeustche Zeitung, 26. June,
Nr. 144.
p. 17
2000
Stange, Raimar; “ein/raumen” in der Hamburg Kunsthalle; Das
Kunstbulletin; Nr. 12/2000, p.36
Winter, Peter; Katzen, Kassen, Karl V; Frankfurter Allgemeine Zeitung; 20.
November 2000; Nr. 270, p. 54
Vergez, Juan; Review ARCO 2000: Elective Affinities; ARCO Noticias;
September Nr. 18 p. 14
Franz Ackerman/ Rirkrit Tiravanija; Ausst. Kat. RE public; Grazer Kunstverein
Oct, p. 63-65
Wolfs, Rein; The Sociale Capital Today; Art Land; Vol. 6, Nr.1, p. 5
Boers, Waling; Reality is a friend of mine, Interview with mit Rirkrit
Tiravanija; material; Fruhling/Sommer 2000, Nr. 3, pp. 44-46.
Continental Shift; Ausst. Kat. Ludwig Forum Aachen, D/ Bonnefantenmuseum
Maastricht, NL/Stadsgalerij Heerlen NL/Musee d’Art modern Liege, B, 2000.
Wittneven, Kathrin; Zeichne dich selbst; Der Tagesspiegel; 15. Juli 2000, Nr.
17111, S.32
Citytripping.com; ”Free Rent: Rirkrit Tiravanija’s Experiment in Living”, Aug. 1
Berwick, Carly; “While Some Live for Art, Others Live In It”, The New York
Times, Aug 1
Lintzel, Aram; Liebst du much wirklich?; Frankfurter Allegemeine Zeitung; 14
July, Nr. 161, p. BS 6
Gardner, Belinda Grace; Verfuhrung des Blicks. Das Haus der Kunst, Munchen,
Hamburg, p. 175.
Memba, Javier; Okupas “yvagabundos acuden a cenar a una galeria de arte”
El Mundo, 14 February.
Murria, Alicia; Rirkrit Tiravanija; Revista Lapiz, Nr. 161, March
Llorca, Pablo; Modelo de artista; El Periodico del Arte, Februar 2000, Nr. 30
Ririkrit Tiravanija. Arte publico. Antiquaria
Stange, Raimar; Rirkrit Tiravanija; Artist Kunstmagazin, Heft Nr. 42, January,
pp. 22-26
“The Art of Eating Curry”, Composite, Tokyo, No. 16, June
Figaro Japon, No. 181, Ma y
Spa, Tokyo, May
Brutus, Tokyo, April
Stange, Raimar, “Ein/raümen”, in der Hamburgen Kunsthalle; Das
Kunstbulletin; No. 12,
1999
Lonehood, Lex, "Free Rent: Rirkrit Tiravanija's Experiment in
Living", City Tripping.com, Berwick, Carly, "While Some Live
for Art, Others Live in It", The New York Times, August1,
Sunday, August, 8.
Boggs, Sheri; “Sitting Down to Art” The Inland Way, April 14
Knight, Christopher, "L.A. Map Makes the Invisible Plain", Los Angeles Times,
July, 23, Art Reviews.
Hunt, David, "Faraway and Nearby, The Province of Telepresence",
Camerawork, Spring/Summer, pp.26-29
1999 Scott, Andrea K., "Mi casa, su casa", Time Out New York, June 10-17, in
Art Reviews.
Wong, Gloria M.," Quick Takes", Bazaar, June, pg.88.
"Living with Art at Gavin Brown's Enterprise", The Art Newspaper, June.
Saltz, Jerry, "Rising Tide", The Village Voice, June 29, pg.157
Saltz, Jerry, "Resident Alien", The Village Voice, July 7, pg.157
Gilson, Nancy, "Eye of the beholder", The Columbus Dispatch, January 27,
p.8E
Pettus, Jason, " Extended Stay", Cake walk, Fall 1999,p. 58-59
Joyce,Julie, "Rirkrit Tiravanija and Licoln Tobier" , Art/Text ,#67, p.90
Gilson, Nancy; “Eye of the beholder”, The Columbus Dispatch, Jan. 27
Gellatly, Andrew," Cities on the Move", Frieze,
Siegel, Katy," Rirkrit Tiravanija", ArtForum, October, p. 146
Kazakov, Rafaelo, " Rirkrit Tiravanija", The New York Art World, September, p.
M 14
Elms, Anthony, "Rirkrit Tiravanija", The New Art Examiner, October 1999, p.47-
48
Pinchbeck, Daniel, " NY artist Q & A, Rirkrit Tiravanija" The Art Newspaper,
July-August
Boggs, Sheri, " Sitting down to art", The Inlander, April 14, 1999
Sachs, Brita; Bei Anruf Kunst, Frankfurter Allgemeine Zeitung, 16 Dec., p. 53
Sanders, Joel; Frames of mind; Artforum, November 1999, S. 126-131
Nomblot, Javier Rubio; Rirkrit Tiravanija :diez propuestas para Madrid, El
punto de las Artes, 10-20. December
Szeeman. Harald; Rirkrit Tiravanija, Katalog zur Ausstellung dAPERTutto, 48.
Esposizone Internazionale d’Arte, La Biennale di Venezia, p. 162-165
N.N., Museum Het Domein presenteert Ex-tension, Trompetter, 30 Juni.
Fischer, Tine/Eskjaer, Mikkel; Spis en film, Kun stmagasinet 1%, #5 February
Tiravanija, Rirkrit; Dreams, hrsg. v. Francesco Bonami u. Hans Ulrich Obrist
Lind, Maria; Raumnachbildungen und Erfahrungsraume, Parkett Nr. 54, pp.
186-190
Wuffen, Thomas u.a., Berlin Biennale, Kunstforum International, Fan./ Feb.,
Bd. 143, S. 290-310
Artist Comment, BT, Feb., p. 41
Berg, Ronald; Jeder Mensch ein Pop-Star, Zitty, Nr. 2, p. 50
Wolfs, Rein; Ein bisschen Wirklichkeit und bisschen Kunst, fon 33, S. 2-4
Phillips, Christopher ; Art for an Unfinished City, Art in America, Jan.,S. 62-69
1998
Strauss, Dorothea; "Basic Needs", Kunst Bulletin, Sep., p.22
Ammann Rene, Review, Artforum, p. 110, November
Kraynak, Janet, "Rirkrit Tiravanija's Liability*", Documents, Fall, pp. 26-40
Koh, Cermaine; “Crossings” 1998
Seidel, Miriam, "On the Road", Philadelphia Weekly, April, 29
Sozanski, Edward J., "It's a cross-country trip-- but is it art?, The
Philadelphia Inquirer, April, 19, F12
New York Time newsaper clipping, May 1, 1998
Hou Hanru, Hans Ulrich-Obrist; Cities on the Move, Secession, Capc Musee
d'Art Contemporain de Bordeaux, France
Kunstlerhaus Bregenz, KunstlerInnen. 50 Gesprache, pp.229-231
Koh, Germaine, " Crossings" (Catalogue), p.168
m.b., Schnee und Nudeln, Salzburg Nachrichten, 5. December.
Greenleaf, Ken; “Bowdoin has a sleeper in ‘Embedded Metaphor’” Art Review,
1998, Feb. 22
Art Review of Embedded Metaphor, Virginia Beach Sun, 1998 April 17
Nigelhell, Franz, Symbolische Architektur, Neue Zeit, 4. December.
Hofmann-Sewera, Kathi, Kommunikative Kunstverkaufer, Kleine Zeitung, 29.
Nov.
Stefani, Guido, Der Kunstler R.T. zu seiner Ausstellung, Interview Stefani,
Gudio, Der Kurator Rein Wolfs zur Ausstellung “Das soziale Kapital”, Interview
1998 Strauss, Dorthea, Basic Needs, Kunst-Bulletin, Sept.,S. 22-29
Descombes, Mireille, Achetez vos spaghetti au musee, L’Hebdo, 27. Aug.
Haag, Vera; Jammen inmitten von Thaiduften, Toaster, Juli/Aug.
Cruvell (kcd.); Galeriesprengend, Frankfurter Allgemeine Zeitung, 28. Nov.,
S.41
Saltz, Jerry (hrsg.); An Ideal Syllabus, London
Phataranawik, Phatarawadee; Rirkrit Tiravanija, in :cream. contemporary art
culture, London (Phaidon), S.400-403
Gorris, Lothar u. Wiensowski, Ingeborg, Kunst-oder was?, Spiegel Kultur Extra,
Oktober, S. 12-17
Beil, Ralf; Rirkrit Tiravanija, Kunstforum International, Okt.-Nov., Bd. 142, S.
452-3
Imdahl, Georg; Leben im Supermarkt, Frankfurter Allgemein Zeitung, 6 Okt.,
S.46
Rirkrit Tiravanija, Flash Art, Vol. XXXI, Summer, S.85
Rooseum, Center for Contemporary Art, Katalog zum 10-jahrigen Bestehen, S.
36 Hrsg. Kunsthaus Bregenz; KunstlerInnen. 50 Gesprache, S. 229-231
Lind, Maria; Copies. Reflections. Models, Index, Nr. 21, 1, S. 68-75
Nemeczek, Alfred; Kunst als Dienstleistung, Art Nr. 5, Mai, S. 26-35
Herbstreuth, Peter; Rirkrit Tiravanija, Kunstforum, Bd. 140 April-Juni, S.349-
350
Hrsg. Hou Hanru, Hans-Ulrich Obrist; Cities on the Move,
Secession u. capc Musee d’Art Contemporain de Bordeaux
1997
Smith, Roberta, "Finding Art in the Artifacts of the Masses", The New York
Times, Dec.1, pp.43
Rimanelli, David, "A/Drift", Artforum, February, pp. 83
Ekeberg, Jonas, "Rirkrit Tiravanija", Hyperfoto, no.3-4, p.25
Lufty, Carol and Lynn Gumpert , "A lot to Digest", Art News, May, pp. 150-3
Review. Time Out New York, April 24-May 1, pp. 47
"Performance Anxiety", Catalog, MCA Chicago, IL
"Thinking Print", catalog, MOMA New York, NY
Berger, Laurel, ARTnews, March, p. 94
Dziewior, Yilmaz, "Gastfreundlich", neue bilbende kunst, Feb./Mar., p. 8
Decter, Joshua, "a/drift", catalogue, Oct.96- Jan. 97, p.10
Schaechterle, Beatrice, "Die Kunst Des Handelns", Noema, Dec/Jan 96/97, p.
48
Tiravanija, Rirkrit, "Rirkrit Tiravanija Talks with Peter Fischli and David
Weiss", Artforum, Oct., pp 78
Kawai, Sumi; Rirkrit Tiravanija, BT, June, pp. 41-44
Smith, Roberta, "Savoring a Medium Whose Bite Has Grown With Age", The New
York Times, June, 21
Hainley, Bruce; “Where Are We Going? And What Are We Doing? Rirkrit
Tiravanija's Art of Living,” Artforum, February, pp. 54-59
Saltz, Jerry; “A Short history of Rirkrit Tiravanija”, Art in America, February,
pp. 82-85
Kittelmann, Udo, "Rirkrit Tiravanija Untitled, 1996 ( tommorrow is another
day)” (Catalogue)
Detterer, Gabriele (ed.); Art Recollection. Artist’s Interviews and Statements
in the Nineties, hierin: Rirkrit Tiravanija in einem Interview mit Rochelle
Steiner (1995), p. 217-222
N.N. (ze), Kommunikatives Maltaschen-Mahl statt einer steifen Vernissage,
Ludwigsburger Kreiszeitung, 28. April.
N.N., Rirkrit Tiravanija in der Villa Franck, Ludwigsburger Wochenblatt, 30.
April Winkelmann, Jan,...und noch ein Essen, Blitz Review
N.N., Spezifische Situationen, Lift, 6
Fechner-Smarsly, thomas, Einbaukunst, Frankfurter Rundschau, 7. July
Hoffmann, Gabriele, Kochkunst, Kultur, Juni
1997 Schaecher, Marko, Radieschen fur die Statisten. Stuttgarter
Nachrichten. 26. Juni.
Schroter, Lorenz, Maultasche goes Art. Alles ist Kunst, Cosmosguide, Mai
Review, Time Out New York, 24. April-1.Mai, S.47
Stellwaag, Karin,Kunsttest-die interessantesten Ausstellungen in April, Prinz,
Kunst..Arbeit Katalog, Sudwest LB. Stuttgart, S. 60/61, 146-149
Steiner, Barbara, Kunstverein Ludwigsburg (Hrsg); Rirkrit Tiravanija-
Kochbuch, Ludwigsburger
Institut fur moderne Kunst Nurnberg (Hrsg); Waling through society,
Jahrbuch, Nurnberg
Marcori, Roxana; Murphy, Diana; Sinaiko, eve (Hrsg.); New Art. New York von
Hantelmann, Dorothea; Faust und Biberkopf, zitty Nr. 23, S. 86
Dobrynski, Judith; A Popular Couple Charge into the Futureof Art, but in
Opposite Directions, The New York Times, 2. September, S. C11/C13
Kisters, Jurgen; rirkrit Tiravanija , Kunstforum Bd. 136 “Asthetik des Reisens”
Febr-Mai, S.412-414
S.W. “A Cue from Kids” Art and uhhipues, 1997 Dec.
Kisters, Jurgen, Zum Feiern und Schlafen in den Kolner Kunstverein,Kolner
Stadtanzeiger, Nr. 2,3. Januar S.1
Herbstreuth, Peter; Wie im Bild, so im Leben, Der Tagesspiegel, 8 Marz, S.21
1996
Tiravanija, Rirkrit, Rirkrit Tiravanija Talks with Peter
Fischli and David Weiss, Art forum, Okt., S.78
VN-kapi; Kunsthalle als interaktives Studio, Voralberger
Nachrichten, 24 Dez. Blase, Christoph; Die Beobachtung einer
Teestube, FAZ, Nr. 296, 19. Dezember, S.34
Steiner, Juri; “Rehearsal Studio No. 6”. Neue Zuricher Zeitung, 13. dez.
Hedinger, Johannes M., Rirkrit Tiravanija, Saiten, Dez.
Aukeman, Anastasia; Small Budgets, Large Ambitions, ART News special, S.48-
54
Thiele, Carmela; Des Kunstlers New Yorker Studio fur Koln kopiert, Art Nr. 11,
November, p. 148
Badrutt, Schoch, Ursula; Mobel schleppen und reden, St. Galler Tagblatt, 28
Nov.
Mettler, Louis; Ver-rucktes, Raume, Begegnungen, Appenzeller Zeitung, 23.
Nov., p.17
Maurer, Simon; Jam un Minestrone, buddhistisch, Tagesanzeiger, 27. Nov.,
p.81
N.N. (vt); Von Krusi bis Techno, Anzeiger, 26. Nov.
Mettler, Louis; Tiravanijas und Altenburgera “Sozialskulpturen” in der
Kunsthalle: Dinge ver-rucken, Raume schafen, begegnen, Die Ostschweiz, 23.
Nov.,
Dziewor, Yilmaz; Rirkrit Tiravanija, Artforum International Sept. 1996, p. 14
Marger, Mary Ann; “Not-so-sweet dreams”, The New York Times, 11. October
N.N., Art, Nr. 11, November, S.14
Real Time, (cat.), essays by Gavin Brown & Emma Dexter, Institute of
Contemporary Art, London, GroBbritannien
Aperto, (cat.), Biennale Venedig, Venedig, Italien, (Kurator: Matthew
Slotover)
Volkart, Yvonne; Kommunikation, annabelle, Nr. 22, p. 15
Strauss, Dorothea; Let’s play together, fon, Nr. 2
Wiensowski, Ingeborg; Rirkrit Tiravanijas, Spiegels Extra, 11, p. 22
Rohr-Bongard, Linde; Kunstkompass, Capital, Nov., S. 282-283
Weh, Vitus, Fast nichts/almost invisible, Kunstforum International, Okt. ‘96-
Jan. 97
Stellwaag, Karin, Beinahe unsichtbar. Stuttgarter Zeitung, 7. Aug.
Pesch, Martin, Kleine winzige und unauffallige Kunst, Die Tageszeitung, 20.
Aug.
Schwitzler, Joachim, Viel mehr als nichts, Thurgauer Volksfreund, 16. Juli
Kawai , Sumi; Rirkrit Tiravanija, BT, Juni, p. 41-44
Biehler, Matthias, “Fast nichts” im Umspannwerk, Sudkurier, 27. June
Saltz, Jerry; A Short History of Rirkrit Tiravanija, Art in America, February, p.
82-85
Bloomberg, Katja; Hauptsache, es schmeckt, FAZ, 21. Feb.
1995
Cubarrubia, Eydie; “’Embedded exhibit foes under the covers’”
Herald Features, Sept. 20
Press release from Navin Gallery Bangkok, “Untitled 1996 (traffic)”
Karcher, Eva; Die Stadt lockt..., ART, December, p.130
Martinson, Suzanne, "Edible Art", Pittsburgh Post Gazette, November, 26,
p.H6-7
Lind, Maria; Letter and Event, Parallel and Palindrome, Paletten, April #223
Jr.56 p46
Cameron, Dan, "Cocido y crudo", from the Reina Sofia catalogue
Lind, Maria; Letter and Event, Parallel and Palindrome, Paletten, 4, Nr. 223,
Jhg. S. 40
Harcher, Eva; Die Stadt lockt...,ART, December, p. 130
Parkett No. 44, p. 106-108
N.N., Whitney Biennial, frieze, 23, Sommer
Richard Flood/Rochelle Steiner; En Route, Parkett Nr. 44, p. 114-123
Steiner, Barbara; Spiegel, Andreas, Rirkrit...,Paletten, 4, p. 4
Rohr-Bongard, Linde; KunstkompaB 95, Capital, 11, p. 362
Jones, Ronald; Rirkrit Tiravanija and Andy Warhol, frieze, January-February, p.
6
Herbstreuth, Peter; “Meet Tim & Burkhard,” Der Tagesspiegel,
29. Oktober, S. 21, Sommer, S. 102
Melo, Alexandre; “Guess Who's Coming to Dinner”, Parkett, #44 pp.96-129
Gillick, Liam; “Forget about the Ball and Get on with the Game”, Parkett, #44
pp.96-129
Flood, Richard & Steiner, Rochelle; “En Route”, Parkett, #44 pp.96-129
Bertilsson, Sofia, and Host-Ekstrom, Mans, "The Small World", Paletten,
August, p56-58
Smith, Roberta, "Art in Review", The New York Times, June, 23
Saltz, Jerry, "Live through this", The New Art Examiner, May, pp. 19-22,
Jones, Ronald; “Rirkrit Tiravanija and Andy Warhol”, Frieze, January-February
1995, p. 60
NBK, Neue Bildende Kunst, January, p. 18
Hainley, Bruce, "Rirkrit Tiravanija", Artforum, January
Cotter, Holand, "A critic's Dozen to catch at the Biennial", The New York
Times, March12
Weinstein, Jeff, "Eating Around", The Village Voice, July 18
1994
Relyea, Lane, "Fear and loathing at the Whitney"', Frieze, summer, pp. 39-41.
Herbstreuth, Peter; "Meet Tim & Burkhard", Der Tagesspiegel, 29. October, p.
21
Föll, Heike; interview, “Ich brauche kein Atelier”, zitty, Nr. 22/1994, p.40
Foster, Hal; interview, Feed, work, #1, p. 22-27
Brown, Gavin; “Otherthings Elsewhere”, Flash Art, summer, p. 102
Schumacher, Rainald; Köln Kritik, Flash Art, summer, p. 51
Troncy‚ Eric; “It’ Alive!”‚ Flash Art, summer, p. 105
Cameron, Dan; “Food for Thought”, Frieze, issue 17, p. 50
Metzger, Rainer; Der Angriff der Kunst auf das ubrige Leben,Der Standard,
22./23. October, p. 32
Levin, Kim; Rirkrit Tiravanija, Kunstforum, Jan./Feb. ,pp. 170-173
Besson, Christian; “Surface de Reparation”, Flash Art, Mai/June, p. 122
Surface de Reparations, (cat.), organized by Eric Troncy,
Le Consortium, Centre d'Art Contemporain, Dijon, Frankreich
Don't Look Now, (cat.), essay by Joshua Decter, Threadwaxing Space, New
York, NY
L'Hiver de L'Amour, (cat.), Musée d'Art de la Ville de Paris, Paris, France
Rirkrit Tiravanija, interview, documents, February, no. 5, p. 33
1993
Bonami, Francesco, The Real Stuff (Dion, Grey, joo,
Pippin, Tiravanija). Flash Art, May/June, p. 80, 82-93, p. 11
14
Weitzer, Ludo; “The Accidental Tourist”, Flash Art, October, p. 44-45
Hixon, Kathrin; “Trouble in Paradise”, New Art Examiner, October, p. 31
Schiff, Hajo, "Kunst und Schutt", Kultur, September, 10
1993 Myoda, Paul; “Amateure der Genealogie”, Neue Bildende Kunst, 2-93, p.
11-14
Backstage, (cat.), Hamburg Kunstverein, Hamburg
Fleck, Robert; Spielhölle- Ästhetik und Gewalt, Rogue, #17, p. 17-37
Holmquist, Karl; “Hole in the Wall” siksi, The Nordic Art Review, issue 4
Real Time, (cat.), essays by Gavin Brown & Emma Dexter, Institute of
Contemporary Art, London, Great Britain
Aperto, (cat.), Biennale Venedig, Venedig, Italy, (Kurator: Matthew Slotover)
“When the Music’s Over” New Art Examiner Jan. 1993
Eating with Publicsfear, project for Publicsfear, volume 1, #2, p. 38
Myers, Terry; Review, Tema Celeste, winter, p. 83
Sleepless Nights, exhibition pamphlet, PS1 Museum, Queens, NY
Weil, Benjamin; Ouverture, Flash Art, January/February, p. 79
Simply Made in America, (cat.), Aldrich Museum of Contemporary Art
Wealth of Nations, (cat.), Center for Contemporary Arts, Ujazdowski Castle,
Warsaw, Poland
Sans, Jerome, " Viennese Story” (cat.)
1992 Transgression in the White Cube: Territorial Mapping, (cat.), organized
by Joshua Decter, Usdan Gallery, Bennington College, Bennington, VT
Nesbitt, Lois; Review, Artforum, December, p. 95
“Rirkrit Tiravanija” The New Yorker, 5. Oct.
Smith, Roberta; The Gallery is the Message, The New York Times, 4 October, p.
35
1991 Hess, Elizabeth; The White Rabbit, (Among Other Alternatives), The
Village Voice, 17. December Heartney, Eleanor; Review, Art in
America, June
Faust, Gretchen; Review, Arts, April
1990
Joseph, Regina; Being in Nothingness, The West Side Spirit, 4.
Feb.
Nesbitt, Lois E., "New York", Art Issues, Sept./Oct.
Kelly, Deidre; Works Strange but True, The Globe & Mail, 17. August
Hume, Christopher; Freeze Out, Toronto Star, 10. August
Faust, Gretchen; Review, Arts, May
Phora, Pia; Review, Contemporanea, Vol. 3 No. 2, February
Hodkin, Carter; Review, Nike Magazine, January
1989
Hodgkin, Carter, "Review", Nike, vol. 30, Oct./Nov., p. 53
Kramer, Hilton; Soho Show; Prestigious, maybe, but just more shopworn farce,
The New York Observer, 31. July
Smith, Roberta; Review, The New York Times, 21. July
Wallach, Amei; The Young Turks' Old Master, New York
Newsday,16. July
GRANTS AND AWARDS
Gordon Matta Clark Grant
Louis Comfort Tiffany Award
NEA
Central Kunst Prize
PUBLIC COLLECTIONS
Museum of Contemporary Art, Los Angeles
Museum of Modern Art, New York
Migros Museum, Zurich
The Walker Art Center, Minneapolis
Saint Louis Art Museum, Saint Louis
Collection FNAC, France
FRAC Languedoc-Roussillon, Montpellier, France