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STUDIO LENCA

El Baile

Hong Kong Central Space

22 November, 2024 - 4 January, 2025

Curated by  Yonni Park, Jeeeun Hong

Press

Studio Lenca’s artistic universe is a harmonious intertwining of his experiences as a professional dancer, his identity as a migrant, and a profound exploration of artistic freedom. In this exhibition, Lenca invites the audience into a world where his deep artistic vision unfolds into ever more intricate and layered narratives, expressed through painting and installation. His work boldly challenges conventional and traditional forms, offering a fresh approach to themes of migration, identity, and self-exploration.

Lenca’s background as a professional dancer profoundly shapes his artistic sensibility. Dance, as a liberating force, transcends the confines of specific places and times, and when this experience is channeled into the creative process, it expands the boundaries of artistic expression. Through dance, Lenca explores the dissolution of bodily boundaries, embracing the freedom of movement while confronting and overcoming the social and cultural borders that once confined him. Dance, an ephemeral art form, embodies intense expression through fleeting moments of movement, and this notion of ‘temporality’ resonates deeply within his painting practice, reflecting the expanded possibilities of existence discovered through the body, space, and movement.

The figures in his works, rather than being static representations frozen on the canvas, pulse with new vitality, imbued with the spatial and temporal elements of ‘transience.’ They seem to move fluidly between the present and future, between reality and imagination. Here, his work extends beyond mere visual representation, evolving into a philosophical exploration of the body and identity. The figures, caught in a dynamic state of navigating uncertain circumstances—or perhaps overcoming them—invite a multitude of interpretations. The ambiguity of their movements—whether they are dancing, fleeing, or drifting through everyday life—symbolizes the ‘fluidity of identity,’ an intentional reflection of Lenca’s own migrant experience. Their movements take on meaning in themselves, symbolizing the attempt to break free from identities imposed by others and instead construct an autonomous, liberated sense of self. Lenca’s work powerfully conveys that identity is not a fixed or static concept but a fluid one, constantly evolving with time and experience.

The color palette chosen by the artist, marked by its unconventional combinations, provokes a unique and intense emotional response in the viewer. His sophisticated use of color is one of the most striking features of his work, with the interplay of hues and tones serving not merely as decorative elements but as essential narrative devices that reveal the inner worlds and identities of his figures. Through his work, Lenca articulates the cultural hybridity experienced by migrants, offering viewers a new perspective that challenges societal norms and expectations.

The themes of migration and boundaries explored in his work are also critical issues in contemporary philosophy. The migrants depicted in his paintings are not portrayed as mere victims but as empowered individuals who transcend borders and limitations in their own unique ways. Lenca presents migrants not just as individuals adapting to new environments but as active agents creating their own space, challenging social norms, and inciting change.

Another defining feature of Studio Lenca’s work is his refusal to rely on traditional visual techniques, instead embracing his own distinctive approach to handling imagery. In his work, the transformation of imagery plays a crucial role. His experimental use of color and form suggests that the figures in his paintings are not merely representations but embodiments of personal narratives. Through this transformation, Lenca resurrects the personal histories of his subjects, expanding them into broader, more complex stories. The folkloric imagery and icons he employs, while rooted in his cultural heritage, are reinterpreted in a contemporary context. This exploration of tradition and modernity, of past and present, reflects Lenca’s ongoing quest to establish his identity and artistic direction. The folkloric symbols in his work are far from decorative; they are imbued with new meaning, intertwining with his migrant experience to become a powerful narrative force.

His work resonates with Jacques Derrida’s concept of deconstruction, which challenges the notion of fixed boundaries, suggesting instead that crossing those boundaries creates new meaning. The figures in Lenca’s works embody this boundary-crossing, constructing new identities while dismantling existing stereotypes of migrants. This connects to Homi K. Bhabha’s concept of ‘cultural hybridity,’ which argues that migrants do not possess fixed cultural identities, but instead create new forms of identity, blending diverse cultural elements. Lenca’s work visually translates these philosophical discussions, delving deeply into the complex experiences of migrants.

In this exhibition, El Baile, the heightened use of dance as a form of expression represents not merely an artistic gesture, but a mode of survival. The dancing figures in his work signify more than just movement; they embody the will to construct their own identity, to break free from imposed narratives. Lenca reinterprets the survival of migrants not as a passive act of adaptation but as an active, creative process. Through dance, the figures reclaim suppressed identities and redefine their space, delivering a powerful message of hope to the audience. Through this exhibition, Studio Lenca boldly expresses the freedom and artistic autonomy he has gained from his migration experience. His work transcends the boundaries of personal narrative, challenging societal norms and inviting the viewer to engage in a profound reflection on migration, identity, and existence.

Works

EXHIBITING WORKS

Studio Lenca Miguel Oil and acrylic on canvas 150 x 120 cm 2024

Studio Lenca Santiago Oil and acrylic on canvas 75 x 60 cm 2024

Studio Lenca Samuel Oil and acrylic on canvas 190 x 160 cm 2024

Studio Lenca Jeté Oil and acrylic on canvas 100 x 100 cm 2024

Artist

ARTIST

Studio Lenca photographed by Kat Green, 2024 (2) .jpg

STUDIO LENCA (JOSÉ CAMPOS)

b. 1986, La Paz, El Salvador

Lives and works in Margate, UK

Studio Lenca (José Campos) fled his native El Salvador during the violent civil war in the 1980s. The war claimed the lives of over 80,000 Salvadoreños and displaced much of the population. José travelled to the US by land with his mother and grew up as an undocumented illegal immigrant.

 

Eventually settling in the UK, José received a Masters from Goldsmiths University of London in 2019. His work is collected and exhibited globally and was recently acquired by the MER Foundation.

 

His work is focuses on ideas surrounding difference, knowledge and visibility. José Campos works under the name of ‘Studio Lenca’ as the language of ‘studio’ refers to a space for experimentation and a place that is constantly shifting. Lenca refers to the ancestors of his native El Salvador.

 

His colourful paintings depict Salvadoran figures adorned with costume and ornament that playfully explore masculinity, the colonial past of the country and its current violent discourse. The hats and costumes allude to the folkloric traditions of Los Historiantes. MS-13 markings and 18th street tattoos are absent, instead whimsical imagery and bold colours portray a softer more vulnerable experience.

 

The figures in Studio Lenca’s work embody vignettes of the artist’s formative years, escaping the civil war and reckoning with his reality in a hostile environment.  

 

The navigation of identity within Studio Lenca’s work sits in parallel with that of El Salvador and it’s neighbouring countries. Riotous layers of paint, flora, fauna, logos and artefacts represent untold stories and silenced voices. The painful legacy of colonialism, mass immigration and more recent cultural imperialism is writ large. Studio Lenca shares a maelstrom of unresolved narratives; himself and his culture displaced.

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