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Arik Levy & Zoé Ouvrier: Come Closer

Hong Kong Central Space

2026.5.15 - 2026.7.5

Curators: Larys Frogier, Jules Chua

Press

To ‘Come Closer’ is to risk intimacy. It is to blur the distance between self and other, between observer and observed, between art and life. ‘Come Closer’ is an invitation—a gentle yet daring call—to move beyond the surface, beyond the safe vantage point of distance, and to enter into spaces where vulnerability, beauty, and complexity reside. In a world that often encourages detachment—scrolling past, clicking away, looking without seeing—this exhibition asks something different of us. It asks us to pause. To notice. To lean in, with curiosity and with courage. The works gathered here do not yield themselves all at once; they require proximity. They ask for your attention, and in return, they offer encounters that are as personal as they are collective, as fleeting as they are unforgettable.

The artists Arik Levy and Zoé Ouvrier, based in Paris and Saint-Paul-de-Vence in France, work across media, styles, transversal cultures and traditions, yet they share a preoccupation with presence. Some of their works draw us in through detail so delicate it can only be seen up close. Others challenge us to confront themes we might otherwise avert our eyes from: memory, fragility, the body, identity, silence, longing. Still others weave play and wonder into their practice, reminding us that closeness is also a form of joy. 

Taken together, the works of Arik Levy and Zoé Ouvrier become a constellation—an ecosystem of proximity. They remind us that art is not static, but relational. It lives in the space between the object and the viewer, between societies and cultures, what is made and what is felt. And in-between these spaces, something vital happens: empathy awakens, understanding deepens, and new possibilities emerge.

This exhibition is not about answers but about nearness. It does not seek to resolve tensions but to hold them, to let them breathe. What happens when we allow ourselves to come closer to someone else’s story, or to our own? What do we find when we look long enough that the familiar becomes strange, and the strange becomes familiar? We live in times when closeness can feel dangerous—when contact is fraught with fear, when difference is amplified as distance. Yet art reminds us that without proximity, there can be no recognition, no transformation. To come closer is not to erase difference but to acknowledge it, to honor it, to dwell in the richness of its textures.

Coming closer is not merely a physical act; it is an emotional and ethical gesture. It is about daring to approach what unsettles us, what intrigues us, what resists easy explanation. In proximity, textures emerge. Layers reveal themselves. Stories unfold. By shifting our perspective from distant gazes to close encounters, we begin to see not only the artwork differently, but perhaps ourselves, refracted through it.


‘Come Closer’ is therefore more than an exhibition; it is an offering. It asks us to slow down, to trust the intimacy of looking, to accept the discomfort and the beauty that arise when we do not turn away. It invites us into a dialogue—with the works, with the artists, with one another, and with ourselves. As you walk through this exhibition, we hope you allow yourself to be surprised by the details, unsettled by the silences, moved by the nearness of what you encounter. We hope you take the time to linger, to draw close enough that the boundaries between art and life, self and other, begin to shift. 

Above all, we hope that ‘Come Closer’ stays with you—that when you leave, you carry with you not only images and impressions, but a renewed sense of the power of nearness. May it remind us that to come closer is, in the end, to live more fully: attentive, connected, and profoundly alive.
 

 

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EXHIBITING WORKS

Works
RockFormationTower 125

RockFormationTower 125

Mirror polished, Stainless steel 125 x 55 x 51cm 2025

MicroRockFormationWood 142

MicroRockFormationWood 142

Formation, Natural oakwood 143.5 x 32 x 27cm 2022

Genesis

Genesis

mouth-blown colored and silvered artistic glass 35 x 45 x 20cm 2017

The New World Bronze

The New World Bronze

mirror-polished and patinated bronze 37 x 27 x 27cm 2016

MicroRockFormationWood & Bronze 65

MicroRockFormationWood & Bronze 65

formation, bronze, natural oakwood 35 x 32 x 65cm 2024

AbstractStone 150

AbstractStone 150

coppered steel wire and dark epoxy coat (black) 150 x 51 x 5cm 2012

Stasia

Stasia

Wood sculpture, acrylic paint and gold Leave 32 x 21.5cm 2025

Luba

Luba

Wood sculpture, acrylic, and oil paint 32 x 21.5cm 2025

Rada

Rada

Wood sculpture, acrylic, and oil paint 32 x 21.5cm 2025

Soréa

Soréa

Wood sculpture, acrylic paint & Gold Leaves 120 x 60cm 2026

Artist
Artist
arik _edited.jpg

ARIK LEVY

b. 1963, Tel Aviv, Israel

Lives and works in Paris, France

Arik Levy is a French artist, technician, photographer, designer, video artist, Levy's skills are multi–disciplinary and his work can be seen in prestigious galleries and museums worldwide. Best known publicly for his sculptures – such as his signature Rock pieces –, his installations, limited editions and design, Levy nevertheless feels "The world is about people, not objects." Hailing originally from Israel and moving to Europe after his first participation in a group sculpture exhibition in Tel–Aviv in 1988, Levy currently works in his studio in Paris.

His formation was unconventional where surfing, as well as his art and graphic design studio, took up much of his time back home. Following studies at the Art Center Europe in Switzerland he gained a distinction in Industrial Design in 1991. After a stint in Japan where he consolidated his ideas producing products and pieces for exhibitions, Levy returned to Europe where he contributed his artistry to another field – contemporary dance and opera by way of set design.

zoé-ouvrier-for-tai-ping-photo-3-credit-

ZOÉ OUVRIER

b. 1975, Montpellier, France

Lives and works in France

Zoé Ouvrier is a French artist, graduated from the École des Beaux-Arts in Paris, currently living and working in Saint-Paul-de-Vence. Her practice focuses on wood panel carving, at the intersection of drawing, sculpture, and bas-relief. Her work is distinguished by a strong tactile quality and a unique visual language, exploring the transformation of natural forms and the relationship between body and matter.

 

Through organic compositions evoking bark and skin, she develops a visual vocabulary based on accumulation, repetition, and controlled unpredictability. Her works convey notions of memory, growth, and resilience. Presented internationally, her work is particularly sought after for its ability to engage with architectural space and high-end environments, positioned between contemporary art and collectible design.

Curator
拉瑞斯·弗洛杰 Larys Frogier.avif

LARYS FROGIER

Larys Frogier is the former Director of the Rockbund Art Museum (RAM) in Shanghai. Since 2023, Larys Frogier is the scientific and artistic director for the long term research program "Becoming Worlds" lead by the Culture Europe Agency/Relais Culture Europe (Paris), in the framework of the Horizon Europe Program initiated by the European Commission (Brussels). As a curator, critic and art historian, he is involved in artistic and social challenges in post-global contexts where ongoing social, economical, cultural transformations demand new ways of interrelations, citizenship and reinvented creativity.

 

He has curated numerous exhibitions and published extensive essays on the works of international artists: Felix Gonzalez-Torres, Nan Goldin, Paola Pivi, UgoRondinone, Wang Du, Yang Jiechang.

 

Previously the Director of the contemporary art centre La Criée in Rennes (France), he curated long-term projects (symposiums, residencies, exhibitions, publications), which question the links and ruptures between broadening transcontinental areas. Chair of the HUGO BOSS ASIA ART jury since 2013 at the Rockbund Art Museum, he is conceiving this new award, exhibition and research program as an evolving platform to promote emerging artists and to question Asia as a construction to investigate rather than a monolithic area or fixed identities.

 

Larys Frogier taught art theory, history of art, and curatorial studies at the University of Rennes, while he was also a researcher at the École des Hautes Études en Sciences Sociales (EHESS) and at the Archives for Art Criticism.

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