b.1971, Constantine, Algeria
Adel Abdessemed is a prominent figure of the international art scene. From drawing to video, from sculpture to installation, Adel probes in the wounds of our present. His work has been the subject, during the last thirty years, of numerous major solo exhibitions, at MoMA PS1 in New York, MIT List Art Center in Cambridge (Massachusetts), Magasin - Centre National d’Art Contemporain in Grenoble, at Parasol Unit in London, Fondazione Sandretto Re Rebaudengo in Turin, Musée national d’Art Moderne - Centre Georges Pompidou in Paris for a retrospective, « Adel Abdessemed. Je suis Innocent » (2012), CAC in Málaga, or at the Musée des Beaux-Arts de Montréal. Two major monographic exhibitions take place in 2018: Otchi Tchiornie at the Musée du Grand-Hornu in Belgium, and L’Antidote at the MAC Lyon.
Adel Abdessemed had his first solo exhibition “Unlock” in Asia in 2019, presented by Tang Contemporary Art Hong Kong. His work has also been presented at four Venice Biennales (2003, 2007, 2011, 2015), where he received the Benesse Prize (2007), at two Biennales in Istanbul (2007, 2017), and in the Biennales of Havana (2009), Gwangju (2008), Lyon (2007), and São Paulo (2006). In 2010, he participated in the first Triennale in Aichi, in 2017 at the Triennale of Milan and at the Triennale Oku- Noto in Suzu (Japan). In 2018 he participated at the Triennale Echigo-Tsumari Art. On the same year, he also took part in the Rencontres de la photographie d’Arles, where he exhibited a series of photographs and sculptures curated by Jean Nouvel. In 2015 he directed the scenography and light of Retour à Berratham, during the Avignon Festival, for the choreographer Angelin Preljocaj. In 2016, he was invited to drawn the poster for the Avignon Festival and to create his project « Surfaces ». At the same time, the organization Bold Tendencies commissioned the work Bristow as part of its artistic program in Peckham (London).