6.6 - 9.6, 2015
Curated by Cui Cancan, the exhibition spreads across the two spaces in the 798 Art District, featuring a reconstructed Ming dynasty ancestral temple from Jiangxi province. The Wang Jiaci (or Wang family ancestral hall) was dedicated to Wang Hua, the Prince of Yue, who reigned during the sixth century AD and was venerated as a model public servant from the Tang to the Qing eras. The temple was considered to be a sacred space for hundreds of years, where offerings and ceremonies for ancestors as well as important social activities and meetings took place.
Ai had the ancient temple disassembled into more than 1500 pieces and rebuilt in the two adjacent exhibition spaces, crossing the dividing wall. The deconstruction of the structure was possible because of its ancient architectural characteristics — a more than 1000-year-old Chinese tradition where wooden columns and beams were completely independent and therefore detachable from the walls. By bringing an imposing installation of an actual historical building into the exhibition space, Ai has transported its cultural significance and aesthetic beauty. The created environment has a “totality” that encompasses not only the physical, but also the temporal and social spheres.
b.1957 Beijing, China
Ai Weiwei is a Chinese Contemporary artist and activist. Ai collaborated with Swiss architects Herzog & de Meuron as the artistic consultant on the Beijing National Stadium for the 2008 Olympics. As a political activist, he has been highly and openly critical of the Chinese Government's stance on democracy and human rights. He has investigated government corruption and cover-ups, in particular the Sichuan schools corruption scandal following the collapse of so-called "tofu-dreg schools" in the 2008 Sichuan earthquake. In 2011, following his arrest at Beijing Capital International Airport on 3 April, he was held for 81 days without any official charges being filed; officials alluded to their allegations of "economic crimes".
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