Tang Contemporary Art is proud to announce the opening of "Ever Young," the latest solo exhibition by Chinese artist Shen Liang, curated by Dai Zhuoqun, at Tang Contemporary Art’s Bangkok space. The exhibition, held from 23 December 2021 to 30 January 2022, will showcase varieties of the artist's works.
Through paintings and sculptures which use a variety of tools and mediums to create a complex and unexpected effect.
The heartbeat plant is an herb of immortality that can make a person young again, which appears in the ancient Babylonian tale The Epic of Gilgamesh. Gilgamesh was a young king who ruled during the First Dynasty (ca. 2900-2800 BCE) in Uruk, an ancient Sumerian city-state. “Gilgamesh” is the written Akkadian form that comes from the Sumerian “Bilgames,” which means “an old man becoming a young man.” When I read the story of Gilgamesh and the heartbeat plant, I thought of Shen Liang. Those three words—heart, beat, and plant—are appropriate ways to describe my impressions of his recent work. Shen Liang says that he is a classic Pisces, with two different temperaments, verging on different personalities. One is peaceful and steady, and the other is often excitable and enjoys funny, sarcastic accidents. Sometimes, something funny will excite him and transform him into a young man again.
Shen Liang’s work has evolved across three distinct stages, from his early nostalgic paintings done in thick oils, which later developed into his Trivialities series in the brush, acrylic, and charcoal powder on wrapping paper. His most recent evolution is an extension of his This is a Book series: Night Shift, Streetwalker, and other small paintings on paper and his Birding Project series of superlight clay sculptures. In this new phase, Shen boldly uses brushes, acrylic paints, gel pens, paint markers, ballpoint pens, highlighters, and a combination of many tools and mediums to create a complex and uncontrollable effect. The influence that switching between tools can have on the final result is often easy to overlook.
Shen Liang’s early thicker oil paintings imbue two-dimensional images with more materiality, transforming painting into an object and not just an image. The acrylic and charcoal powder on paper almost feels like an abstract assignment, rescuing painting from a preoccupation with subject matter. The painter no longer has to consider what to paint. He can paint anything he wants because he is no longer limited to the specific subject matter. Or, more accurately, even though the image is built on something concrete, its essence is abstract. Fun is the through-line in Shen’s work. In his early nostalgic doodles and traditional opera characters, he usually depicted his subjects as flickering memories, restoring abundance and energy through amusing scrawls on these classic images. Later, he placed sarcasm into his paper-based series Night Shift, Streetwalker, Amour, and Love Across the Mountains and Seas, which developed from This is a Book. A series of humorous points that blow hot and cold occasionally veer into biting satire. Birding Project is a series of direct superlight clay sculptures, to which he has added hair. He made more than 800 of these somewhat erotic sculptures, which is just the right number.
 Amour No.1Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.2Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.3Watercolor, gel pen on paper 30 x 42 cm 2020 |
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 Amour No.4Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.5Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.6Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Amour No.7Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.8Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.9Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Amour No.10Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.11Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.12Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Amour No.13Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.14Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.15Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Amour No.16Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.17Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.18Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Amour No.19Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.20Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.21Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Amour No.22Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.23Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.24Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Amour No.25Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.26Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.27Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Amour No.28Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.29Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.30Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Amour No.31Watercolor, gel pen on paper 30 x 42 cm 2020 |  Amour No.32Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.1Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Glamour No.2Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.3Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.4Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Glamour No.5Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.6Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.7Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Glamour No.8Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.9Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.10Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Glamour No.11Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.12Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.13Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Glamour No.14Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.15Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.16Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Glamour No.17Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.18Watercolor, gel pen on paper 30 x 42 cm 2020 |  Glamour No.19Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Glamour No.20Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.1Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.2Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Love Across the Mountains and Seas No.3Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.4Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.5Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Love Across the Mountains and Seas No.6Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.7Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.8Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Love Across the Mountains and Seas No.9Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.10Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.11Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Love Across the Mountains and Seas No.12Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.13Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.14Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Love Across the Mountains and Seas No.15Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.16Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.17Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Love Across the Mountains and Seas No.18Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.19Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.20Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Love Across the Mountains and Seas No.21Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.22Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.23Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Love Across the Mountains and Seas No.24Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.25Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.26Watercolor, gel pen on paper 30 x 42 cm 2020 |
 Love Across the Mountains and Seas No.27Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.28Watercolor, gel pen on paper 30 x 42 cm 2020 |  Love Across the Mountains and Seas No.29Watercolor, gel pen on paper 30 x 42 cm 2020 |
 2020 No.2colored gel pen on paper 98 x 281 cm 2020 |  2020 No.3Acrylic, charcoal powder, wig on paper 185 x 191 cm 2020 |  2021 No.4Gel pen, charcoal powder, butterfly powder on paper 140 x 210 cm 2021 |
 2021 No.10Gel pen, charcoal powder, butterfly powder on paper 132 x 139 cm 2021 |  2021 No.11Acrylic, gel pen, charcoal powder 108 x 206 cm 2021 |  2021 No.12Gel pen, charcoal powder, butterfly powder on paper 139 x 175 cm 2021 |
 Giant Immortal Peach No.1Fiberglass, baking finish 40 x 39 cm 2021 |  Giant Immortal Peach No.2Fiberglass, baking finish 40 x 34 cm 2021 |  Birding Project No.809Super light clay, wig, wood 20 x 20 x 50 cm 2021 |
 Birding Project No.810Super light clay, wig, wood 19 x 12 x 39 cm 2021 |  Birding Project No.811Super light clay, wig, wood 19 x 19 x 46 cm 2021 |  Birding Project No.812Super light clay, wig, wood 20 x 10.5 x 45 cm 2021 |
 Birding Project No.813Super light clay, wig, wood 15 x 15 x 55 cm 2021 |  Birding Project No.814Super light clay, wig, wood 19 x 19 x 44 cm 2021 |  Birding Project No.815Super light clay, wig, wood 19 x 15 x 36 cm 2021 |
 Birding Project No.816Super light clay, wig, wood 23 x 11 x 45 cm 2021 |  Birding Project No.817Super light clay, wig, wood 9 x 9 x 35 cm 2021 |  Birding Project No.818Super light clay, wig, wood 27 x 27 x 39 cm 2021 |
Artist
Shen Liang
Born in 1978, Liaoning Province, China.
Shen Liang graduated with a Master of Fine Art Degree (MFA) from Central Academy of Fine Art, China in 2003. He currently lives and works in the Department of Art & Design, Beijing University of Technology.
His selected and recent solo exhibitions include: “Ever Young” Tang Contemporary Art Bangkok, Bangkok, Thailand 2021; “Outside/Inside”, Tong Space, Beijing, China, 2013; “Monoloque”, Tang Contemporary Art, Bangkok, Thailand, 2013; “Against Space–Eight Kinds of Attitude and Situation About Painting”, China Space, Beijing, 2012; “The History Lesson”, Pekin Fine Arts, Beijing, China, 2010.
Curator
Dai Zhuoqun
Dai Zhuoqun is an independent curator, art critic, lives and works in Beijing. He was the founder of Contemporary Art Magazine in 2007, served as editor and art director. In 2009, Dai launched and jointly organized the "Warm Winter Plan"--Beijing safeguard art rights, which became one of the most significant art events in recent years. He cooperates with a number of art institutions, colleges, and Museums of fine arts, planning exhibitions and giving lectures. Meanwhile, he frequently writes for domestic and international professional journals and publications. The exhibitions he curated include: "The Awakening of Things”, "Superfluous Things" series projects, "Civilization" series projects, “Brushwork and True Feeling”,” Approach Spirits”,” Free Prism Video Wave”,“ The Circular impact: Video Art 21”.