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GROUP EXHIBITION

Silicon-based: New Creator

Artists:Andreas Guskos, Andrzej Wasilewski, Boris Eldagsen, Candaş Şişman, Charles Csuri, Chen Baoyang, Niq Keqian Chen, Chen Yangxin, DaDa, Desmond Paul Henry, Dmitri Cherniak, Dorian Gaudin, Echo Can Luo, Snowfro, Erick Calderon, Giuseppe Lo Schiavo, Hans Dehlinger, Han Yajuan, Huang Heshan, Huang Rui, Jean-Pierre Hébert, Joan Heemskerk, Jiang Suxuan & SciArt Co-lab, Kevin Abosch, Larva Labs, Crypto ZR, Liu Mengya + Su Yongjian, Meng Shengyu, Pak, Raven Kwok, Refik Anadol & Yawanawa, Reva Fan, Riniifish, Roman Verostko, Shi Zheng, Shen Shaomin, Song Ting, Sun Bohan + Cheng Ran, Tan Liang, Tian Xiaolei, Tyler Hobbs, U2P050, Vera Molnár, Wiesław Borkowski Jr, Wu Yishen, Wu Ziyang, Xia Hang, Xu Ge, Xu Yibo, Yan Wenhao, Alex Yuan Long, ZOOJOO

Beijing 2nd Space

2025.6.28 - 2025.8.13

Curated by Gu Zhengqing

Press

Tang Contemporary Art is pleased to announce a large-scale digital art group exhibition, “Silicon-based: New Creators,” at 4:00 p.m. on June 28, 2025, at the it's Beijing 2nd Space. Curated by renowned curator Gu Zhenqing, with Zhu Zijie as assistant curator, the exhibition brings together digital artworks from 51 artists (groups) from around the world.

Participating artists include Andreas Guskos, Andrzej Wasilewski, Boris Eldagsen, Candaş Şişman, Charles Csuri, Chen Baoyang, Niq Keqian Chen, Chen Yangxin, DaDa, Desmond Paul Henry, Dmitri Cherniak, Dorian Gaudin, Echo Can Luo, Snowfro, Erick Calderon, Giuseppe Lo Schiavo, Hans Dehlinger, Han Yajuan, Huang Heshan, Huang Rui, Jean-Pierre Hébert, Joan Heemskerk, Jiang Suxuan & SciArt Co-lab, Kevin Abosch, Larva Labs, Crypto ZR, Liu Mengya + Su Yongjian, Meng Shengyu, Pak, Raven Kwok, Refik Anadol & Yawanawa, Reva Fan, Riniifish, Roman Verostko, Shi Zheng, Shen Shaomin, Song Ting, Sun Bohan + Cheng Ran, Tan Liang, Tian Xiaolei, Tyler Hobbs, U2P050, Vera Molnár, Wiesław Borkowski Jr, Wu Yishen, Wu Ziyang, Xia Hang, Xu Ge, Xu Yibo, Yan Wenhao, Alex Yuan Long, ZOOJOO.

New Consciousness Requires New Methods. New Art Requires New Media and Language.In 1946, the first computer, ENIAC, was born, marking humanity’s entry into the computer age. The brilliant scientist John von Neumann proposed the “stored-program” concept for computer design, in which instructions and data are digitally encoded and stored within the computer’s fundamental logic circuits and memory units. This binary-based architecture allowed for programmable execution, enabling the technological leap from 0 to 1, and thereby inaugurating the digital age of human civilization. The explosive development of digital technology, the internet, and blockchain has opened a wondrous digital Eden for artists - allowing them to create one or more digital IP identities within the encrypted digital world. This has enabled transitions from physical to virtual forms, from Web 1.0 to Web 2.0, and now to Web 3.0, fostering social transformations and identity shifts. Digital nativity, decentralization, virtual emergence, and multimodal expression have become new directions and trends in the paradigm shift of contemporary art. By 2023, the rise and broad application of AI large language models have further allowed artists to transform or layer multiple digital identities and embark on new creative paths. This is a spiritual response to the forced migration of human civilization into a digitalized future - a coexistent world of virtual and real that Web 3.0 is unfolding. The convergence of AI and digital art serves as a bridge between the real world and the multi-layered metaverse. Online social media enables communication through various modalities, flattening physical time and space, and potentially challenging the carbon-based species' anthropocentric worldview. It opens vast possibilities for the acceleration of silicon-based civilizations. What artists lose in this process is merely the constraints, regulations, and exploitation of centralized systems in the physical world - but what they gain is the boundless potential of the digital and virtual.

In the realm of synthetic biology, scientists apply engineering principles to design, assemble, and even reconstruct biological systems that do not exist in nature, taking on the role of creators. As early as 2010, American biologist Craig Venter and his team synthesized an entire personal genome in the lab and implanted it into an empty cell. That cell began replicating and reproducing based on the implanted genetic instructions, forming new life. Scientists are also designing synthetic genomes for eukaryotic organisms from scratch, driving the development of artificial life sciences. In 2025, Spanish scientists for the first time used generative AI tools to design DNA regulatory sequences not found in nature, successfully controlling gene expression in healthy mammalian cells. The AI tool generated DNA fragments based on specific requirements, pushing life programming into a new era. AI now grants humanity unprecedented control - even the ability to design life itself - essentially becoming a new silicon-based creator. In May 2025, Google DeepMind - the team behind AlphaGo and AlphaFold - unveiled AlphaEvolve, a new super AI agent driven by large-scale models. AlphaEvolve can write its own source code, create its own algorithms, and even replicate itself - making it the first truly evolutionary coding AI. A super AI capable of mass algorithm generation theoretically holds the potential to solve nearly every problem across all industries. With that, AlphaEvolve has also assumed the role of a silicon-based new creator.

To accept AI as a new silicon-based creator - to embrace its inspiration, awe, and emotional resonance — is becoming an unprecedented challenge and question in contemporary art. Artists are constantly feeling the dynamic between AI and humanity, reflecting on AI’s profound influence on the future of society. The evolution of silicon-based technology and civilization points toward the future of human life and the long-term viability of human civilization. The emergence of a silicon-based creator is a technological singularity born from the exponential growth of AI, robotics, and Web 3.0. This singularity is destined to forever alter the structure of human existence. We are entering a new era where the boundary between physical and digital is blurred. The explosive productivity driven by large AI models, paired with the new production relations shaped by Web 3.0, is propelling humanity into a seismic shift in cognition. The singularity has arrived. A new civilization of awe - in which humans and machines coexist, where carbon and silicon are one - is already upon us. At the same time, artists working with AI and digital media are breaking through creative boundaries and challenging conventional cognitive structures. Their works not only focus on and analyze the essence of this cognitive revolution brought by the singularity but also bear witness to and anticipate the sweeping transformation of human society - from carbon-based to silicon-based civilization - and its far-reaching impact.

Works

EXHIBITING WORKS

Shen Shaomin Laws of Light Installation 600 × 80 × 145 cm 2025

Jiang Suxuan ( SciArt Co-lab) ON/OFF Installation 220 × 600 cm,220 × 840 cm 2025

Jiaying Liu 1000 Eyes Oil on canvas, Video installation, Raspberry Pi 4.2 × 7.5 m 2020

Candaş Şişman PATTERNS OF POSSIBILITIES V2 - Process & Moments Installation Video: 2/6 + 1 AP, 8'00''; 100 x 100 cm x 6 Concept and Design: Candaş Şişman Programming: U29DC Sound: Tunca Candaş. 2022

Giuseppe Lo Schiavo ROBOTICA Video, crypto art 1'00'' 2021

Andrzej Wasilewski 404 Future Not Found 视频,全高清(1080p) 6分25秒 2025

Wu Ziyang Pasig River 2030 - 6 Plus Digital video, color, sound 8'30'' 2022

Song Ting FlowerHacker Human-AI Collaboration and NFT 5900 x 5900 pixels 2023

Kevin Abosch MAYBE STOPPING HELPS Generative art, light box 4800 x 4800 pixels 2021

Larva Labs CryptoPunk #2338 On-chain generative, profilo picture 24 x 24pixels 2017-2019

Chen Baoyang SYMBIOSIS WITH INTELLIGENT AGENTS Large Language Model-Driven Multi-agents (Quadruped Robots, Robotic Arms, Specialized Screens, Mirrors) , Real-time Simulations 500 × 500 × 250 cm 2024

Alex Long Yuan Sustainability Resonator 3D print, PLA, RPET, Biobased-TPU, NFC chips; Video Variable size,1'00'' 2023 2023

Reva Fan A Heaven in a Wild FlowerGenerative art, video 1'14'', loop 2021

U2P050 Milkyway Digital video 16'41'' 2021

Huang Rui Second Contact 4K, Digital video 1'27'' 2024

Pak Metarift Video 0'12'' 2021

Tian Xiaolei Great Rite Hanging sculpture, mixed media 120 × 120 cm 2024

DaDa ENCODED LIFE NO.5-.10 Generative artwork, video 0'40'' 2023

Artist
Curator
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Gu Zhengqing

Gu Zhenqing, graduated from the History Department of Fudan University, Shanghai, China in 1987. Worked as the chief-curator of Shanghai Duolun Museum of Modern Art from 2003 to 2005 and the director of 2004 Chinese Contemporary Art Awards in 2004. Worked as the as the assistant professor of the Fine Art Department of Tunghai University, Taichung, Taiwan in 2005. Worked as the chief-curator and executive director of Zhu Qizhan Art Museum from 2006 to 2007, and chief–editor of art magazine Visual Production from 2006 to 2008.  Worked as jury member of Taixin Art Award and guest professor of Tianjin Academy of Fine Arts, Tianjin, China in 2008. Worked as art director of White Box Museum of Art, 798, Beijing, China from 2009 to 2011. Worked as artistic director of Li-space Culture & Arts Center, Beijing, China from 2009 to 2016. Worked as academic director of Jia Pingwa Museum of Culture & Arts, Xi’an, China in from 2014 to 2016. Worked as guest associate professor of the sculpture department of National Taiwan Art University, Taipei, Taiwan from 2018 to 2020 and guest professor of Guangzhou Academy of Fine Arts, China from 2021 till today. He currently lives and works in Beijing as an independent curator.

Gu Zhenqing had curated numerous exhibitions including Virtual Future, Guangdong Art Museum, Guangzhou, China in 2001; Chengdu Biennale in 2001; Shanghai Assemblage 2000-2004 in National Museum of Contemporary Art, Olso, Norway in 2004; City_netAsia 2005 in Seoul Museum of Art, Seoul, Korea in 2005; 1st Mediation International Art Biennale, Poznan, Poland in 2008; To Each His Own, Taipei Museum of Contemporary Art, Taipei, Taiwan in 2009; Biennale arts actuels Réunion, 80 Warehouse Navy Pier, Le Port, Reunion in 2011; Heartbeat Shanghai- Faw-vw Audi art exhibition, Three on the bund, Shanghai, China in 2012; Biennale arts actuelsRéunion, Le Port, Reunion in 2013; Beyond Heaven and Earth: Mongolian Art in This Day and Age, China Art Museum, Shanghai in 2017-2018; ZFOTOFEST, Istanbul, Turkey in 2018; 2018 Ulaanbaatar International Art Festival, Museum of Mongolian Artist Union, Ulaanbaatar, Mongolia in 2018. Heimat: Guang’an Field Art Biennale, Guang’an China in 2018. Symularis, OCT Boxes Art Museum, Shunde, China in 2019. Lar Original, Green Townhouse, Macao, China in 2019; Outros Portos - Outros Olhares, Saco Azul Associação Cultural & Maus Hábitos, Porto, Portugal in 2020; Disembedding: From Digital Native to Metaverse, HOW Art Museum, Wenzhou, China in 2021; “Avatar: My Metaverse”, Hanshan Art Museum, Suzhou, China in 2021. Beyond The Anthropocene: An exhibition of Future Science+Art”, UCCA LAB & Kuntai Garry Culture Center, Beijing in 2021-2022. My Metaverse, Metaverse Art Museum, Wuxi Studios, Wuxi, China in 2022-2023. White Paper: Metaverse Zone at Consensus, OCT Boxes Art Museum, Shunde, China in 2022-2023. Singularity: Arrival of Tomorrow, Haihui Museum of Modern Art, Zhengzhou, China in 2023; “The Other” in Citadel: Cairo OFF Biennale, Saladin Citadel, Cairo, Egypt in 2023; Lianzhou Foto Festival 2023, Lianzhou, China in 2023. Effective Acceleration, Jupiter Art Museum, Shenzhen, Chinain 2024; Timestamp in Shared Horizons: 15th Bienal De La Habana 2024-2025, National Museum of Fine Arts of Cuba & Caribbean Tribal Space, Havana, Cuba; Lianzhou Foto Festival 2024, Lianzhou, China in 2024-2025.

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