AI WEIWEI
b.1957, Beijing, China

Ai Weiwei is renowned for making strong aesthetic statements that resonate with timely phenomena across today’s geopolitical world. From architecture to installations, social media to documentaries, Ai uses a wide range of mediums as expressions of new ways for his audiences to examine society and its values.

Recent exhibitions include: Bare Life, Kemper Art Museum, Washington University, Washington D.C., USA, 2019; Resetting Memories, MUAC Museum, Mexico, 2019; Life Cycle, Marciano Art Foundation, Los Angeles, USA, 2019; Refutation, Tang Contemporary Art, Hong Kong, 2018; Wooden Ball, Tang Contemporary Art, Hong Kong, 2015; Inoculation at Fundacion Proa in Buenos Aires; Good Fences Make Good Neighbors with the Public Art Fund in New York City; Ai Weiwei on Porcelain at the Sakip Sabanci Museum in Istanbul; Ai Weiwei: Trace at Hirshhorn at the Hirshhorn Museum and Sculpture Garden in Washington D.C.; Maybe, Maybe Not at the Israel Museum in Jerusalem; Law of the Journey at the National Gallery in Prague, and Ai Weiwei. Libero at Palazzo Strozzi in Florence.

In 2019, Ai Weiwei won the GQ Magazine Men of the Year 2019 award in the artist category.

Exhibitions

Refutation

Ai Weiwei

03.26 - 04.28, 2018

Hong Kong

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Wooden Ball 木质球

10.3 - 11.15, 2015

Hong Kong

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AI WEIWEI 艾未未

6.6 - 9.6, 2015

Beijing

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Nothing is True, Everything is Permitted 万物皆虚,万事皆允

Group exhibition: Ai Weiwei, Huang Yongping, Sun Yuan, Zhu Jia, Zhao Zhao

3.17 - 5.13, 2017

Beijing​

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Press / News

Cui Cancan | Interview with Ai Weiwei

Participants: Cui Cancan and Ai Weiwei

Date: April 11, 2015

Location: Caochangdi, Beijing

 

 

Cui Cancan: When did you first see this building?

 

Ai Weiwei: I first became interested in ancient architecture in about 1997. The first time I went to Jinhua, I saw some old buildings that were decidedly different from those in northern China. The light filtering through the skylights into the rooms was very special. The rooms were actually rather dark, because the exterior walls were solid, with very few external windows. However, it was entirely open inside the walls, so that anything—birds, the rain—could get in. The methods are very similar to those used in making furniture. The house has no foundation; it simply rests on the earth, which is also very unusual. It feels as if it was gently placed there. It also has weight, and after being battered by the wind and the rain, it began to change shape and become more pliable.

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Cui Cancan | Ai Weiwei’s “Wang Family Ancestral Hall”

With a 400 year-long history, the “Wang Family Ancestral Hall” has changed innumerably with the times, and in various systems has held various functions, attributes, and values over the centuries. Today, passing through the walls and offices spaces of two galleries, the Wang Family Ancestral Hall is presented as a new work by Ai Weiwei. Its condition and experiences, implied suggestions and ambiguities, as well as the relationship it holds between itself and its owner, immerses the Hall in a debate between change and perpetuity – one that settles at neither one thing nor another. In comparison to other ancient architectures and cultural phenomena, the Wang Family Ancestral Hall has become quite an isolated case.

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Uli Sigg Collection of Contemporary Chinese Art Debuts in the UK at the Whitworth

“Four Decades of Chinese Art,” set to open on July 1, will tackle the conditions of art making and freedom of expression in China, exploring subversive artistic practices ranging from the No Name Group, which began in the late 1960s, to the contemporary art scene.

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Inquiry

Beijing

D06, 798 Art District,

No.2 Jiuxianqiao Road

Chaoyang Dst. Beijing, China

B01, 798 Art District, No.2 Jiuxianqiao Road

Chaoyang Dst. Beijing, China

Hong Kong

10/F, H Queen's, 80 Queen's Road

Central, Hong Kong

Bangkok

Room. 201 - 206
River City Bangkok,
23 Soi Charoenkrung 24,

Bangkok, 10110, Thailand

VIP Space:

1 Flr Sahai Place, No.49 Soi Sukhumvit 24 , Sukhumvit Road, Klong Tan, Klong Toei, Bangkok 10110, Thailand

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