b.1967, Java, Indonesia
Entang Wiharso has a multi-disciplinary practice and is known for his dramatic visual language and unique images of contemporary life. He confronts the universal issues of power, loss and love through investigations of ideology, philosophy and identity. Particularly known for his large scale paintings, wall sculptures and installations, his work heightens our ability to perceive, feel and understand human problems like love, hate, fanaticism, religion, and ideology. Entang Wiharso’s work is layered with social, political and sexual critique, revealing a complex picture of the human condition by integrating narrative tools and placing unconventional materials together. Images from Javanese myth appear in his work in combination with contemporary elements to engage with ideas that continue to resonate and inform our daily life.
Entang Wiharso’s works have been exhibited extensively in various contexts: gallery and museum shows, public and private collection displays as well as biennales and group shows in Indonesia and abroad. Solo shows include Half Degree of Separation, Tang Contemporary Art, Bangkok, 2018; Never Say No, Singapore Tyler Print Institute, Singapore, 2015, etc. Group shows include the 55th Venice Biennale; Odyssey: Navigating Nameless Seas, Singapore Art Museum; Love: The First of the 7 Virtues, Hudson Valley Center for Contemporary Art, Peekskill, New York; Open Sea, Musée d’art contemporain, Lyon, France; Prospect.3: Notes for Now, New Orleans; All You Need Is Love, Mori Art Museum, Tokyo; and Prague Biennale 6.
Echo Among Geographies
Chen Danqing, Heri Dono, Sakarin Krue-On, Qin Qi, Rodel Tapaya, Entang Wiharso, Zhao Zhao
3.18 - 4.19, 2020
Half Degree of Separation
01.11, - 02.25, 2018
9.20 - 10.30, 2016